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Olivia is the digital communications mode on shortwave (high frequency sub band, or, HF) for amateur radio operators who want more than the “Check Propagation” FT8 mode. This video is an introduction that was presented to the Raleigh Amateur Radio Society ( https://www.rars.org/ ) on December 12, 2023, presented by Tomas Hood, NW7US

Olivia information can be found, here:
https://OliviaDigitalMode.org

Olivia, a Multi-Frequency Shift Keying (MFSK) radioteletype digital mode, is an amateur radioteletype protocol designed to work in difficult (low signal-to-noise ratio plus multipath) propagation conditions on shortwave radio (i.e., high-frequency, or HF) bands. The typical Olivia signal is decoded when the amplitude of the noise is over ten times that of the digital signal! It is commonly used by amateur radio operators to reliably transmit ASCII characters over noisy channels (slices of high-frequency spectrum — i.e., frequencies from 3 MHz to 30 MHz; HF) exhibiting significant fading and propagation phasing.

The Olivia digital modes are commonly referred to by the number of tones and the bandwidth used (in Hz). Therefore, it is common to express the Olivia digital mode as Olivia X/Y (or, alternatively, Olivia Y/X ), where X refers to the number of different audio tones transmitted, and Y refers to the bandwidth in Hertz over which these signals are spread. Examples of common Olivia modes are, 8/250 (meaning, 8 tones/250-Hertz bandwidth), 16/500, and, 32/1000.

The protocol was developed at the end of 2003 by Pawel Jalocha. The first on-the-air tests were performed by two radio amateurs, Fred OH/DK4ZC and Les VK2DSG, on the Europe-Australia propagation path in the 20-meter shortwave radio amateur band. The tests proved that the Olivia protocol (or, digital mode) works well and can allow regular intercontinental radio contacts with as little as one-watt RF power (when propagation is highly-favorable). Since 2005, Olivia has become a standard for digital data transfer under white noise, fading and multipath, flutter (polar path) and auroral conditions.

Olivia can perform nearly as good as the very popular WSJT mode, FT8, and better than FT4.

See you on the waterfall!

73 de NW7US

A VISUAL + AUDIO AIR CHECK OF DIGITAL MODE FT8 QSOs, ON THE 30-METER BAND

Here is a video capture of the reception and transmission of many digital FT8-mode amateur radio high-frequency (HF; Shortwave) communication signals. This video is a front-seat view of the software operation performed at the radio room of amateur radio operator, NW7US, Tomas Hood.

The software packages demonstrated are installed and operational on a modern personal computer. The computer is connected to an Icom IC-7610 radio transceiver, controlled by the software. While there is no narration in the video, the video provides an opportunity for you to see first-hand how typical FT8 operations are performed. The signals can be heard.

The frequency used for the FT8 communication in this video is on or about 10.136 MHz, in the 30-Meter shortwave amateur radio allocation (or, band). As can be seen, the 30-Meter band was active at this time of day (0720 UTC, onward–local nighttime).

In this video you see (and hear) NW7US make two-way contacts, or QSOs, with stations from around the country and the world.

There are amateur radio operators within the amateur radio community who regard the FT8 digital mode (FT8 stands for “Franke-Taylor design, 8-FSK modulation“, and refers to the mode created by Joe Taylor, K1JT and Steve Franke, K9AN) as robotic (automatic, automated, and unattended) computer-to-computer communications, and not ‘true’ human communications–thus negating the spirit of ham radio. In other words, FT8, in their opinion, is not real amateur radio. While they pontificate about supposed automated computer communications, many of those holding this position have not installed and configured the software, nor tried communicating with the FT8 digital mode. They have perhaps formed their anti-FT8 opinion in a vacuum of knowledge. (This writer has other issues with FT8, but not on this point–see below)

As you watch the video linked in this article, consider these concepts:

+ A QSO is defined (as per common knowledge–see below) as the exchange of at least the minimum information needed as set by the requirements of a particular award, or, as is defined by law–for instance, a QSO would have at least an exchange of the legal call sign assigned to the radio station and/or control operator, the location of the station making the transmission, and a signal report of some kind about the signal received from the other transmitter at the other end of the QSO.

+ Just how much human involvement is required to make a full FT8 QSO? Does WSJT-X software run all by itself, with no human control? Is WSJT-X a robot, in the sense that it picks a frequency, then initiates or answers a CQ call automatically, or is it just powerful digital-mode software that still requires human control?

The video was captured from the screen of the PC running the following software packages interacting together as a system:

+ WSJT-X: The primary software featuring the digital mode, FT8. (See below for some background on WSJT-X software.)

+ JTAlert: Provides several audio and visual alert types based on decoded Callsigns within WSJT-X.

+ Log4OM, Version 2: A full-featured logging program, which integrates well with WSJT-X and JTAlert.

+ Win4IcomSuite: A full-featured radio controlling program which can remote control rigs, and provide control through virtual communication port-sharing.

+ Com0Com: The Null-modem emulator allows you to create an unlimited number of virtual COM port pairs and use any pair to connect one COM port based application to another. Each COM port pair provides two COM ports. The output to one port is the input from other port and vice versa.

As mentioned, above, the radio used for the communication of FT8 at the station, NW7US, is an Icom IC-7610 transceiver. The antenna is an off-center fed dipole that is over 200 feet in total length (end-to-end measurement).

Some Notes:

About WSJT-X

WSJT-X is a computer program used for weak-signal radio communication between amateur radio operators, or used by Shortwave Radio Listeners (SWLers; SWL) interested in monitoring the FT8 digital communications between amateur radio operators. The program was initially written by Joe Taylor, K1JT with Steve Franke, K9AN, but is now open source and is developed by a small team. The digital signal processing techniques in WSJT-X make it substantially easier for amateur radio operators to employ esoteric propagation modes, such as high-speed meteor scatter and moonbounce.

WSJT-X implements communication protocols or “modes” called FST4, FST4W, FT4, FT8, JT4, JT9, JT65, Q65, MSK144, and WSPR, as well as one called Echo for detecting and measuring your own radio signals reflected from the Moon. These modes were all designed for making reliable, confirmed QSOs under extreme weak-signal conditions. JT4, JT9, and JT65 use nearly identical message structure and source encoding (the efficient compression of standard messages used for minimal QSOs). They use timed 60-second Transmit/Rreceive (T/R) sequences synchronized with UTC (Universal Time, Coordinated). JT4 and JT65 were designed for Earth-Moon-Earth communications (EME, or, moonbounce) on the Very-High Frequency (VHF), Ultra-High Frequency (UHF) and microwave bands. JT9 is optimized for the Medium-Frequency (MF) and High-Frequency (HF) bands. It is about 2 dB more sensitive than JT65 while using less than 10% of the bandwidth. Q65 offers submodes with a wide range of T/R sequence lengths and tone spacings.FT4 and FT8 are operationally similar but use T/R cycles only 7.5 and 15 seconds long, respectively. MSK144 is designed for Meteor Scatter on the VHF bands. These modes offer enhanced message formats with support for nonstandard call signs and some popular contests. (The MSK in MSK144 stands for, Multiple Frequency Shift Keying.)

FST4 and FST4W are designed particularly for the Low-Frequency (LF) and MF bands. On these bands, their fundamental sensitivities are better than other WSJT-X modes with the same sequence lengths, approaching the theoretical limits for their rates of information throughput. FST4 is optimized for two-way QSOs, while FST4W is for quasi-beacon transmissions of WSPR-style messages. FST4 and FST4W do not require the strict, independent time synchronization and phase locking of modes like EbNaut.

As described more fully on its own page, WSPR mode implements a protocol designed for probing potential propagation paths with low-power transmissions. WSPR is fully implemented within WSJT-X, including programmable band-hopping.

What is a QSO?

Under the title, CONTACTS, at the Sierra Foothills Amateur Radio Club’s 2014 Technician Class webpage, https://www.hsdivers.com/Ham/Mod15.html, they teach,

An amateur radio contact (called a QSO), is an exchange of info between two amateur radio stations. The exchange usually consists of an initial call (CQ = call to all stations). Then, a response from another amateur radio operator, and usually at least a signal report.

Contacts can be limited to just a minimal exchange of call signs & signal reports generally between amateurs previously unknown to each other. Very short contacts are usually done only during contests while longer, extended ‘rag chews’ may be between newly met friends with some common interest or someone you have known for a long time.

Wikipedia has an entry for QSO, too.

My Issue With FT8 and WSJT-X

I have written in the past, on this website, about an issue that came about during the course of the development of the WSJT-X software package. The development team decided to widen the slice of ‘default’ (pre-programmed) frequencies on which to operate FT8. The issue was how the choice of new frequencies was made, and what choices were implemented in an upcoming software release. Read more about all of this, in these three articles:

+ Land (er, FREQUENCY) Grab (Part 1)

+ One Aspect of Amateur Radio: Good Will Ambassadors to the World

+ In Response — Can’t We All Just Get Along?

Has this issue been resolved? For now, yes. There appears to be more coordination between interested groups, and the proposed new frequencies were removed from the software defaults in WSJT-X. At least, up to this point, at the time of publishing this article.

..

Sure! You don’t need to have a software-defined radio (SDR) before you start learning how to use the technology; there are a few different paths you can take, exploring and learning about SDR.

One way to gain some experience with SDR without spending a dime is to install a free software package for the very popular, non-Linux, operating system (that starts with ‘W’), and give SDR a test drive. If you like it, you might consider getting your own hardware (like the SDRplay RSPdx, for instance), and connecting it up to your computer and running this software, too.

Why I Dived Into SDR

I have always loved radio, ever since the early 1970s, when I discovered shortwave radio. In the last couple of years, I’ve had an increasing interest in the world of SDR. When I am working, but away from home (remember those days, before Covid?), I want to sample news and programming from around the world, but through shortwave. The way to do that, I found, is by using the various SDR options which allow a person to tune a remote receiver, and listen.

I also find working with the waterfall of a typical SDR-software user interface rewarding because, instead of blindly searching for signals in a subband, I can see all of the received signals on the scrolling time representation of a slice of frequency. Simply select that signal on the waterfall, and the radio tunes right to it.

I often connect to different SDR radios around the world, to catch all manner of shortwave signals, from maritime, military air, trans-oceanic air, or coast guard radio traffic, or other interesting HF communications including amateur radio CW and SSB signals. Occasionally, I also check out VHF and UHF signals from around the world. All of that, while instead an office building that is not suited for shortwave radio reception.

I’ve now decided to give back to the community; I’ve added my SDR receiver to the collection of receivers located around the world on the SDRSpace network of SDR radios.

My new SDRplay RSPdx software-defined radio receiver is live, via http://www.sdrspace.com/Version-3, using the SDR Console software (Version 3).

The receivers are online whenever I am not transmitting and when there are no local thunderstorms.

Antenna Port A is connected to a wire antenna (a horizontal 100-foot wire that runs out from my house’s chimney to a tall tree; about 10 feet of that wire is oriented vertically, where the wire passes through a pulley and then is weighted down so it can move with wind-driven tree movement), while Antenna Port B is connected up to a VHF/UHF discone.

Both antenna systems have an AM Broadcast band notch (reject) filter reducing local AM Broadcast-Band radio station signals by about 30 to 40 dB. I need to use these because the very close KLIN transmitting tower is just miles away and those signals overwhelm the receiver. When I use the signal filters, the local AM Broadcasting signals no longer overwhelm the receiver.

In the following video, I first explain my SDR setup, and in the second half of the video, I tune around the radio spectrum, using the software to control my SDR receiver.

A Couple of Questions

After watching this video, WO9B wrote an email to me. Michael asked of me two questions, summed up as:

1. Your SDR window has the IF screen on top. How is that accomplished?

2. Your AM Broadcast filters; more info, please. I live in the area of mucho broadcast stations and that looks like something I could use.

In the following video, I demonstrate how I changed my layout of the SDR Console software. And, I mention the AM Broadcast Filter for SDR Receivers (the hardware filter is found here: https://g.nw7us.us/3kU5SJN).

To Use My Receiver

Download the latest version of SDR-Console from https://www.sdr-radio.com/download – there is a 32-bit and a 64-bit Windows installation package.

The 64-bit installation package may be downloaded from one of these three sources:

1. Google: https://g.nw7us.us/3auBq44
2. DropBox: https://g.nw7us.us/310ooIG
3. Microsoft: https://1drv.ms/u/s!AovWaZDu7Hrd3U-yqK1bs3wuaFw2?e=o4nKeh

The 32-bit installation package can be downloaded from one of these three sources:

1. Google: https://g.nw7us.us/3iLasrZ
2. DropBox: https://g.nw7us.us/3g4VcVc
3. Microsoft: https://1drv.ms/u/s!AovWaZDu7Hrd3U4mJiiRtI9lm70s?e=HDG4ZX

Install the SDR Console package according to the directions given. Once you have the software installed, you will want to add my server. It takes some work to get familiar with the software, but there are online FAQs on how to begin.

One guide on how to add a server to the list from which you can pick may be found, here:

https://www.sdrplay.com/wp-content/uploads/2018/02/SDRConsoleV3-ServerGuide1-1.pdf

I worked on getting all of the bugs worked out of my installation before making the video. It did take some work, and reading up on things. But, the software is solid and a good contender against SDRuno, and HDSDR, and, this way I can share it online with you.

My server is known as, ‘0 NW7US‘ — it will be online when I am not using my antenna systems for transmitting. It will be offline during thunderstorms, or during times when I must use the systems for transmitting.

Software-defined radio is a great way to hear all sorts of communications, from local AM broadcast stations, FM stations, VHF Air Traffic, to shortwave radio stations including amateur radio HF communications.

Thank you for watching, commenting, and most of all, for subscribing; please subscribe to my YouTube Channel: https://YouTube.com/NW7US Also, please click on the bell, to enable alerts so that when I post a new video, you will be notified. By subscribing, you will be kept in the loop for new videos and more.

73 de NW7US

.. (yes, this is an expansion of an earlier post… forgive the redundancy… thank you) ..

My new SDRplay RSPdx software-defined radio receiver is live, via http://www.sdrspace.com/Version-3, using the SDR Console software (Version 3).

The receivers are online whenever I am not transmitting and when there are no local thunderstorms.

Antenna Port A is a wire antenna (100′), while Antenna Port B is a VHF/UHF discone. Both have an AM Broadcast band reject filter, reducing local AM Broadcast signals by about 30 to 40 dB. I need to use these because the very close KLIN transmitting tower is just miles away and those signals overwhelm the receiver. When I use the signal filters, the local AM Broadcasting signals no longer overwhelm the receiver.

Let me know what you think. Enjoy!

To use my receiver:

Install the latest version of SDR-Console which can be downloaded from https://www.sdr-radio.com/download

Install SDR Console according to the directions given. Once you have the software installed, you will want to add my server.

It takes a little to get familiar with the software, but there are online FAQs on how to begin.

My server is known as, ‘0 NW7US‘ — it will be online when I am not using my antenna systems for transmitting. It will be offline during thunderstorms, or during times when I must use the systems for transmitting.

Software-defined radio is a great way to hear all sorts of communications, from local AM broadcast stations, FM stations, VHF Air Traffic, to shortwave radio stations including amateur radio HF communications.

Thank you for watching, commenting, and most of all, for subscribing; please subscribe to my YouTube Channel: https://YouTube.com/NW7US Also, please click on the bell, to enable alerts so that when I post a new video, you will be notified. By subscribing, you will be kept in the loop for new videos and more.

Video:

73!

This article is part one in a multi-part series.  Part 2 is located here: One Aspect of Amateur Radio: Good Will Ambassadors to the World.  Part 3 is located here: In Response — Can’t We All Just Get Along?

We’ve all heard it at least once:  no one owns a frequency.

By law, amateurs must keep the transmissions from their station within the bounds of the allocations granted to license-holding operators–within these bands that are allocated for amateur radio use.  Amateurs are expected to follow band-plans, which guide us to which mode can be used in a band.

Subbands — Band Plans

There are many decades of constant refining of the standard operating procedures–perhaps we can call them, traditions–that, for the most part, work out pretty well for most amateur radio operations on our precious allocations in the radio spectrum.  Each band–a slice of radio spectrum between a lower frequency and a higher frequency–is made up of subbands.  These subbands are slices within a specific band (allocation), in which amateurs participate in two-way communications by using a particular mode of transmission, like single side band or CW.

For instance, Morse code enthusiasts use CW (continuous-wave modulation, i.e., A1A) between 14.000 MHz and 14.150, which is the subband that exists in the larger allocations known as the 20-Meter Band.  The 20-Meter Band is 14.000 MHz to 14.350 MHz, and the regulating bodies (such as the FCC in the USA) have directed through law that voice modes cannot be used between those subband frequencies from 14.00 MHz to 14.15 MHz. Voice modes can be used from 14.15 MHz up to 14.35 MHz, with certain license class variations. Read the PDF from the FCC: FCC ONLINE TABLE OF FREQUENCY ALLOCATIONS

CW is not the only mode allowed in the 14.00-MHz-to-14.15-MHz subband.  The regulations stipulate that a number of data modes can be used in this subband. There are specific requirements that a mode must meet, in order to comply with regulations–these are known as the authorized emission types.

Gentlemen’s Agreements

Amateur radio operators, decades ago, began discussing, then agreeing to, agreements between all operators as to where specific modes can be used, so those operating the different modes do not trample on each other’s transmissions.  These agreements are known as our band-plan gentlemen’s agreements.  They exist to help minimize interference–QRM–and to help foster good operating procedures between the different groups.

The band plans that have evolved through the decades are not regulations, and do not mean that any particular group of amateur radio operators own any frequency or subband.  A mode does not own a particular subband.  Amateur radio operators are not encouraged to start transmitting a mode that is typically found in that subband, if someone else is on that frequency using a mode not expected.

Just because some other operator is using the subband for a mode not in compliance with the gentlemen’s agreement, don’t purposefully try to eject that operator.  At the same time, the gentlemen’s agreements exist to help amateurs avoid interference with others that are using different modes.  Thus, the operator who has chosen to use a non-standard mode for a subband known to be used for some other mode should move that operation to the subband identified to be for that operator’s current mode of transmitter emissions.  In other words, do not QRM another amateur radio operator, and do not cause confusion and frustration by barging into a subband for a mode that you are not intending to use.  Use the mode expected in the subband of your current operations.

This concept is especially helpful when we consider weak-signal operations.  If a very strong, loud teletype transmission begins in a subband that is set aside for weak-signal propagation modes like WSPR, then it defeats the efforts of the operators making the attempt to have successful weak-signal two-way communications.  Thus, the teletype transmission should be made in a subband where teletype operation is expected and acceptable.  And, WSPR should stay in the subband where people expect to find WSPR signals.

This concept is also applied to VHF or higher bands.  Why?  If repeaters are parked on known repeater subbands, then weak-signal single-sideband communications can take place in a subband where repeaters are not allowed.  By allowed, though, I mean, by agreement with gentlemen’s agreements.  Regulators have stayed out of the amateur radio operations except by creating regulations at a high-level–for instance, the FCC stipulating that voice communications are not allowed between 14.000 MHz and 14.150 MHz, in the 20-Meter band.

The Frequency Grabs by the WSJT Developers, Planners, and Leadership

With several current release candidates of the WSJT-X software by Joe Taylor, the group of developers and leadership have programmed into the WSJT-X software a set of NEW default frequencies.  These new frequencies are in addition to their current pre-programmed frequencies that the amateur community now identifies as, The FT8 Subbands.

The new proposed frequencies are right on top of other subbands where other modes have been operating for decades (such as PSK and Olivia, and many others).  There was no community discussion, except within the WSJT community.  And, when someone protested the take-over of other well-established subbands, those protests were shot down.  The stated reasons included, “Well, those other modes are not very active or popular, because spots are not showing up on various spotting networks.”  Such reasons break down on deeper consideration–for instance, most spotting networks are not programmed to automatically identify Olivia transmissions.  CW, PSK, and FT8 are programmed into scanners, but other modes are ignored.

This behavior, considered rude, arrogant, presumptuous, and anti-gentlemanly (referring to well-established gentlemen’s agreements) has happened before, with the initial release of FT8.  They (the WSJT-X developers and leadership) simply picked a frequency slice of each subband, without true collaboration with the wider amateur radio community.

When this columnist and fellow amateur radio community member, attempted a discussion, the retort from an official representative was an absolute dismissal of any protest against the choice and method of frequency options within the WSJT software. While the software marks these frequency as suggestions, only, these defaults are used without question by the operators of said software.  And, the mode is so fast that there’s no human way of truly monitoring the frequency before use, to see if some other mode is in operation.  Besides, weak-signals that are present but cannot be heard by one’s ear, might well be in operation.  Subbands exist to keep QRM from covering up the weak signals of the mode expected at that frequency.

Enter the IARU…

The IARU has decided to step in and join the discussion.  “The International Amateur Radio Union has been the worldwide voice of radio amateurs, securing and safeguarding the amateur radio spectrum since 1925.”  The IARU guides regulating bodies like the FCC, regarding the administration and rule-making pertaining to amateur radio.

The IARU states, on their website,

The radio spectrum is a priceless natural resource. Because radio waves do not respect borders, the use of the spectrum must be regulated internationally. This is accomplished through the International Telecommunication Union (ITU), a specialized agency of the United Nations. Through World Radiocommunication Conferences (WRCs) held approximately every four years the ITU revises the international Radio Regulations which have the force and effect of a treaty. The Radio Regulations allocate the spectrum to different radiocommunication services such as broadcasting, mobile, radar, and radionavigation (GPS). The most recent WRC was held in October-November 2019. The next one is not yet scheduled but is expected to be held in 2023, so it is usually referred to as WRC-23.

New uses of the spectrum are being developed every day. This puts enormous pressure on incumbent users who are called upon to share their spectrum access with new arrivals. The allocation process is extremely complex, especially when satellite services are involved.

Reportedly, from first-hand communication from one IARU representative,

WSJT-X RC3 has 14074 kHz again for FT8. IARU is intervening. Stay tuned. I am asking for further suggestions.

73 Tom DF5JL
IARU R1 HF Manager

This is very welcomed news!

What ought to take place, as quickly as possible, is to rally the different interested parties, like the Olivia group, the PSK groups, the various CW groups like CWOps, FISTS, and the SKCC, and many others, for ideas and suggestions.  A discussion must take place in the hope that new gentlemen’s agreements can be made, that include the FT8 and FT4 operations, without stepping on the subbands of other digital modes.

As Tom says, STAY TUNED.

If you have suggestions, please comment. This columnist will summarize the main ideas of the comments and forward them to Tom.  You may also contact the IARU managers and let them know your suggestions.

Discussions in the Olivia community are ongoing, too.  Join in at OliviaDigitalMode.net even if you are not yet an Olivia operator.

On Facebook, you may also discuss your thoughts, in either the Olivia Digital Modes on HF group or in the Digital Modes on HF group.

If you use FT8 and FT4, voice your concerns and ideas, too.  Open dialog, without declaring war, is welcomed and hopefully will prove productive.

This article is the first in a series focusing on band plans, and gentlemen’s agreements. Please stay tuned for more installments.

Tomas Hood, NW7US, is a regular contributor to AmateurRadio.com and writes from Nebraska, USA. Tomas is the Space Weather and Radio Propagation Contributing Editor to ‘CQ Amateur Radio Magazine’, and ‘The Spectrum Monitor’ magazine.

Man, lots and lots of Morse code on the ham bands, this weekend. The CQ Worldwide CW Contest weekend was hopping with signals!

How did you do this weekend? How were conditions on the various contest bands?

Comment here and your report may make it into the propagation column in an upcoming edition of the Radio Propagation column in CQ Amateur Radio Magazine.

Here are a few moments as heard at the station of the CQ Amateur Radio Magazine propagation columnist, in Lincoln, Nebraska (yeah, that’s me, NW7US).

Here are the results of my dabbling with the Icom rig and this contest:

 NW7US's Contest Summary Report for CQ-WW
 Created by N3FJP's CQ WW DX Contest Log
 Version 5.7  www.n3fjp.com

 Total Contacts = 55
 Total Points = 8,979

 Operating Period: 2019/11/24 10:23 - 2019/11/24 22:51

 Total op time (breaks > 30 min deducted): 3:58:46
 Total op time (breaks > 60 min deducted): 4:45:17

 Avg Qs/Hr (breaks > 30 min deducted): 13.8


 Total Contacts by Band and Mode:

 Band       CW   Phone     Dig   Total       %
 ----       --   -----     ---   -----     ---
   80        8       0       0       8      15
   40        7       0       0       7      13
   20       25       0       0      25      45
   15       15       0       0      15      27
            --   -----     ---   -----     ---
 Total      55       0       0      55     100

 Total Contacts by State \ Prov:

 State       Total     %
 -----       -----   ---
                52    95
 HI              3     5

 Total = 1


 Total Contacts by Country:

 Country                      Total     %
 -------                      -----   ---
 Canada                           6    11
 Brazil                           5     9
 USA                              5     9
 Argentina                        3     5
 Costa Rica                       3     5
 Hawaii                           3     5
 Bonaire                          2     4
 Cayman Is.                       2     4
 Chile                            2     4
 Cuba                             2     4
 Japan                            2     4
 Mexico                           2     4
 Aruba                            1     2
 Bahamas                          1     2
 Barbados                         1     2
 Belize                           1     2
 Curacao                          1     2
 Dominican Republic               1     2
 French Guiana                    1     2
 Haiti                            1     2
 Honduras                         1     2
 Martinique                       1     2
 Montserrat                       1     2
 Nicaragua                        1     2
 Senegal                          1     2
 St. Kitts & Nevis                1     2
 St. Lucia                        1     2
 Suriname                         1     2
 US Virgin Is.                    1     2
 Venezuela                        1     2

 Total = 30


 Total DX Miles (QSOs in USA not counted) = 151,407
 Average miles per DX QSO = 3,028


 Average bearing to the entities worked in each continent.
 QSOs in USA not counted.

 AF =  83
 AS = 318
 NA = 124
 OC = 268
 SA = 137


 Total Contacts by Continent:

 Continent   Total     %
 ---------   -----   ---
 NA             32    58
 SA             17    31
 OC              3     5
 AS              2     4
 AF              1     2

 Total = 5


 Total Contacts by CQ Zone:

 CQ Zone   Total     %
 -------   -----   ---
 08           13    24
 03            7    13
 09            7    13
 07            6    11
 11            5     9
 13            3     5
 31            3     5
 04            2     4
 05            2     4
 06            2     4
 12            2     4
 25            2     4
 35            1     2

 Total = 13

The Olivia digital mode on HF radio is a mode capable of two-way chat (QSO) communication (keyboard to keyboard, like RTTY) over long-distance shortwave (HF) ionospheric propagation paths, especially over polar regions.

If you are interested in more than a logbook QSO (such as is typical with FT8 and other propagation-checking modes) but want to chat with other hams around the world using digital modes, consider Olivia as one option.

This video captures a few moments of two-way conversation on the Twenty-Meter band, up in the sub-band where 1000-Hz digital modes are commonplace. More narrow-bandwidth settings are used in a lower subband in the digital slice of Twenty Meters. More details about the mode are in the files section of this website: http://OliviaDigitalMode.org.

In 2005, SP9VRC, Pawel Jalocha, released to the world a mode that he developed starting in 2003 to overcome difficult radio signal propagation conditions on the shortwave (high-frequency, or HF) bands. By difficult, we are talking significant phase distortions and low signal-to-noise ratios (SNR) plus multipath propagation effects. The Olivia-modulated radio signals are decoded even when it is ten to fourteen dB below the noise floor. That means that Olivia is decoded when the amplitude of the noise is slightly over three times that of the digital signal!

Olivia decodes well under other conditions that are a complex mix of atmospheric noise, signal fading (QSB), interference (QRM), polar flutter caused by a radio signal traversing a polar path. Olivia is even capable when the signal is affected by auroral conditions (including the Sporadic-E Auroral Mode, where signals are refracted off of the highly-energized E-region in which the Aurora is active).

Currently, the only other digital modes that match or exceed Olivia in their sensitivity are some of the modes designed by Joe Taylor as implemented in the WSJT programs, including FT8, JT65A, and JT65-HF–each of which are certainly limited in usage and definitely not able to provide true conversation capabilities.  Olivia is useful for emergency communications, unlike JT65A or the popular FT8. One other mode is better than Olivia for keyboard-to-keyboard comms under difficult conditions: MT63. Yet, Olivia is a good compromise that delivers a lot. One reason for this is that there are configurations that use much less bandwidth than 1000 Hz. 16 tones in 250 Hz is our common calling-frequency configuration, which we use lower down in the Twenty-Meter band, with a center frequency of 14.0729 MHz.

Q: What’s a ‘CENTER’ Frequency? Is That Where I Set My Radio’s Dial?

For those new to waterfalls: the CENTER frequency is the CENTER of the cursor shown by common software. The cursor is what you use to set the transceiver’s frequency on the waterfall. If your software’s waterfall shows the frequency, then you simply place the cursor so that its center is right on the center frequency listed, above. If your software is set to show OFFSET, then you might, for example, set your radio’s dial frequency to 14.0714, and place the center of your waterfall cursor to 1500 (1500 Hz). That would translate to the 14.0729 CENTER frequency.

The standard Olivia formats (shown as the number of tones/bandwidth in Hz) are 8/250, 8/500, 16/500, 8/1000, 16/1000, and 32/1000. Some even use 16/2000 for series emergency communication. The most commonly-used formats are 16/500, 8/500, and 8/250. However, the 32/1000 and 16/1000 configurations are popular in some areas of the world (Europe) and on certain bands.

These different choices in bandwidth and tone settings can cause some confusion and problems–so many formats and so many other digital modes can make it difficult to figure out which mode you are seeing and hearing. After getting used to the sound and look of Olivia in the waterfall, though, it becomes easier to identify the format when you encounter it. To aid in your detection of what mode is being used, there is a feature of many digital-mode software implementation suites: the RSID. The next video, below, is a demonstration on how to set the Reed-Solomon Identification (RSID) feature in Ham Radio Deluxe’s Digital Master 780 module (HRD DM780).

I encourage ALL operators, using any digital mode such as Olivia, to TURN ON the RSID feature as shown in this example. In Fldigi, the RSID is the TXID and RXID; make sure to check (turn on) each, the TXID and RXID.

Please, make sure you are using the RSID (Reed Solomon Identification – RSID or TXID, RXID) option in your software. RSID transmits a short burst at the start of your transmission which identifies the mode you are using. When it does that, those amateur radio operators also using RSID while listening will be alerted by their software that you are transmitting in the specific mode (Olivia, hopefully), the settings (like 8/250), and where on the waterfall your transmission is located. This might be a popup window and/or text on the receive text panel. When the operator clicks on that, the software moves the waterfall cursor right on top of the signal and changes the mode in the software. This will help you make more contacts!

RSID Setting:

+ NOTE: The MixW software doesn’t have RSID features. Request it!

Voluntary Olivia Channelization 

Since Olivia signals can be decoded even when received signals are extremely weak, (signal to noise ratio of -14db), signals strong enough to be decoded are sometimes below the noise floor and therefore impossible to search for manually. As a result, amateur radio operators have voluntarily decided upon channelization for this mode. This channelization allows even imperceptibly weak signals to be properly tuned for reception and decoding. By common convention amateur stations initiate contacts utilizing 8/250, 16/500, or 32/1000 configuration of the Olivia mode. After negotiating the initial exchange, sometimes one of the operators will suggest switching to other configurations to continue the conversation at more reliable settings, or faster when conditions allow. The following table lists the common center frequencies used in the amateur radio bands.

Olivia (CENTER) Frequencies (kHz) for Calling, Initiating QSOs

Current Olivia Digital Mode Calling Frequencies on Shortwave (HF)

It is often best to get on standard calling frequencies with this mode because you can miss a lot of weak signals if you don’t. However, with Olivia activity on the rise AND all the other modes vying for space, a good deal of the time you can operate wherever you can find a clear spot–as close as you can to a standard calling frequency.

Note: some websites publish frequencies in this band, that are right on top of weak-signal JT65, JT9, and FT8 segments. DO NOT QRM weak-signal QSOs!

We (active Olivia community members) suggest 8/250 as the starting settings when calling CQ on the USB frequencies designated as ‘Calling Frequencies.’ A Calling Frequency is a center frequency on which you initially call, ‘CQ CQ CQ. . .’ and then, with the agreement of the answering operator, move to a new nearby frequency, changing the number of tones and bandwidth at your discretion. Even though 8/250 is slow, the CQ call is short. But, it is narrow, to allow room for other QSOs nearby. It is also one of the best possible Olivia configurations for weak-signal decoding.