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Welcome to the chaotic, thrilling world of the HF pileup. When a rare station or a Parks On The Air (POTA) activator goes on the air, dozens or even hundreds of operators might try to make contact at the exact same time. Working a pileup is an art that takes time to master. Whether you are the one calling CQ from a park in Nebraska or the one hunting a rare DX station, success relies on rhythm, frequency management, and a deep understanding of human behavior.

Here is a proper look at how a pileup appears on a modern display, followed by a complete guide on how to survive it.

A “pileup” on shortwave amateur radio frequencies. The main station is at the low frequency, and stays put. The hunters spread out, above, and call on a single frequency somewhere in the calling window of frequencies (I.e., up five to ten).

Over my decades of working Morse code (CW on amateur radio), I have learned a few critical things about how to navigate the chaotic, thrilling world of the HF pileup. When a rare station or a Parks On The Air (POTA) activator goes on the air, dozens or even hundreds of operators might try to make contact at the exact same time. Working a pileup is an art that takes time to master. Whether you are the one calling CQ from a park in Nebraska or the one hunting a rare DX station, success relies on rhythm, frequency management, and a deep understanding of human behavior.

One of the most important strategies is to determine the operating style of the DX station, specifically discerning how that operator scans the pileup for the next station to work. With modern waterfall displays, that process is MUCH easier. As an example, I worked the Temotu DXpedition (H40RH) that had just started a few hours prior to my attempt. I broke through with only five calls into the pileup, and it took me a mere 60 seconds to call and get an answer. Of course, I first listened and watched the waterfall for about five minutes to get a hang of the operating style of H40RH. This was on 10 Meters where 28.026 MHz was the DX frequency. We callers spread out five to 15 kHz UP in frequency from the DX station because we never want to cover up the DX station with our own signals. Even with a long carrier of intentional interference visible on the waterfall, the visual aid of the SDR made the catch possible. Temotu was a new country for my DXCC, so I am incredibly pleased to have made the contact!

Here is a proper look at how a pileup appears on a modern display, followed by a complete guide on how to survive it.

When You Are the Hunted (The Activator)

When you are the station that everyone wants in their logbook, you are the conductor of the orchestra. If the pileup senses hesitation, chaos ensues. You must dictate the pace, for both CW and SSB operations.

Controlling the Pileup on CW

Establish a Predictable Rhythm: Your CQ, your exchange, and your QRZ should follow a strict pattern. Consistency allows hunters to time their calls perfectly. If you change your cadence, the pileup gets messy.

Run Split for Large Piles: If the pileup merges into a single continuous drone, go split immediately. You might send “UP 1” to tell callers to transmit one kilohertz above your listening frequency. This spreads the callers out. Send your “UP” frequently enough that the self-appointed pileup police do not take over your transmit frequency. I suggest sending “UP” after each successful logged contact (QSO).

Own the Partials: If you only pull “NW7” out of the noise, send “NW7?”. Do not send “QRZ?” immediately. Stick to that partial call until that specific station finishes the exchange. If they fade out, clearly send “QRZ?” to reset the pile.

Adjust Speed to Control Volume: A slight speed increase (bumping up 3 to 5 WPM) will naturally thin the pileup down to the more experienced operators. Dropping your speed will invite the newer operators back in.

Receiver Management: Back off your RF gain and use a wider filter than you might expect (around 400 to 500 Hz). A filter that is too narrow will cause you to miss the operators who are smartly calling slightly off-frequency.

Controlling the Pileup on SSB

Command with Your Voice: Speak clearly and maintain a steady, authoritative tone. Avoid shouting. Just like in CW, a predictable rhythm helps callers know exactly when to key their microphones.

Use Standard Phonetics: Stick strictly to the standard NATO phonetic alphabet (Alpha, Bravo, Charlie). Cute or custom phonetics confuse operators who do not speak English as their first language.

Acknowledge and Isolate: When multiple voices blur together, listen for the last phonetic letter you can understand. If you hear “Sierra,” say “The station ending in Sierra, go ahead.” Ignore everyone else until that station completes the contact.

My POTA / Portable HF station (a low-power, or, QRP, station).

When You Are the Hunter (The Chaser)

When you are trying to break through a massive wall of sound, raw output power is secondary to timing and sharp observation.

Breaking the Pileup on CW

Listen First, Key Second: Before touching the paddle, listen to three or four complete exchanges. If the activator is working split, figure out their pattern. Are they tuning from the bottom up? Top down? Find where they listened last, and place your transmit frequency just above it.

Use XIT (The Golden Rule): Never perfectly zero-beat the DX station if others are calling. To the activator, three zero-beat stations merge into a single tone. Use your Transmitter Incremental Tuning (XIT) to shift your transmit frequency by 30 to 50 Hz. This slight difference in pitch makes your signal pop out of the receiver passband.

Time the Tail-End: Wait for the massive wall of sound to begin fading, and send your call exactly as the main group finishes. A perfectly timed tail-end call lets your suffix ring out in the clear.

Send Once: When the DX sends “QRZ?”, send your callsign exactly once and listen. Sending your call multiple times just causes interference and slows down the entire operation.

Follow Instructions: If the DX sends “NW7?”, and that is not you, keep your hand off the key. Transmitting over the station they are trying to work only prolongs the pileup for everyone.

Breaking the Pileup on SSB

Study the Cadence: Just like with Morse code, listen to the activator to find the rhythm. Wait for the exact moment the activator stops speaking before you key up.

Drop Your Call and Wait: Say your full callsign once using standard phonetics, then unkey and listen. If you are tail-ending, you might just drop the last two letters of your callsign precisely as the noise floor drops.

Adjust Your Pitch: If you have equalization controls on your radio, boost the mid-to-high frequencies on your microphone audio. A slightly punchy and higher-pitched voice will cut through the bass-heavy rumble of a dozen other stations calling at once.

Working a pileup tests your patience and your ear. Whether you are tapping out Morse code or speaking into a microphone, the operator who listens more than they transmit almost always makes the contact first.

Propagation and the Pile-Up

As many of you know, I was the space weather and radio propagation columnist in CQ Amateur Radio Magazine from 2001 through its demise. I strongly advocate for all HF radio operators to understand the basics of radio wave propagation on shortwave frequencies. There are a lot of myths and frankly, horrific theories on how radio waves propagate.

Understanding how the ionosphere refracts radio waves is a crucial tactical advantage. The behavior of a pile-up changes dramatically based on the frequency band you choose and the current mood of our sun.

The Sun Dictates the Rules

The ionosphere is charged by solar radiation. When solar activity is high, higher frequencies become usable for long distances.

Solar Flux Index: The SFI is a great indicator of overall ionization. A higher SFI means better conditions for the higher HF bands. When the SFI climbs, bands like 15, 12, and 10 meters open up globally.

Geomagnetic Storms: Measured by the K-index, these storms can disrupt communications entirely. A high K-index often absorbs signals crossing the polar regions. This can suddenly mute a massive European pile-up for North American operators.

Fading: The ionosphere is always shifting. Signals will constantly rise and fall in strength, which is known as QSB. A smart chaser listens for the rhythm of this fade and throws their callsign into the pile-up exactly when the band peaks for their specific location.

How Bands Shape the Pile-Up

Every amateur radio band has its own personality. The pile-ups you encounter will reflect these differences perfectly.

10, 12, and 15 Meters: These high bands are daytime frequencies that thrive on high solar activity. When 10 meters opens up, signals can be astonishingly loud with very low atmospheric noise. Pile-ups here can ignite suddenly and stretch very wide across the frequency spectrum.

20 Meters: This is the traditional workhorse band for global communication. Pile-ups on 20 meters are massive, sustained, and densely packed. You will often compete with high-power stations and massive beam antennas on this frequency day or night.

40 and 80 Meters: These low bands come alive at night. They are heavily affected by atmospheric noise and static crashes. Breaking a pile-up here requires an exceptionally well-tuned ear and the ability to pull faint CW tones or muffled voices out of a very high noise floor.

The Skip Zone Effect

The propagation of radio waves.

One of the most confusing aspects of a pile-up for a new operator is the skip zone. Radio waves bounce off the ionosphere and return to earth far away, which means they skip right over the geographic areas in between. You might hear the DX station perfectly, but you might not hear the hundreds of other operators calling them because those callers are inside your skip zone. This phenomenon is exactly why you must rely on the DX station’s cadence rather than waiting to hear the pile-up clear.

While raw power is often cited as the key to breaking a pile-up, your antenna system plays a far more decisive role in your overall effectiveness. A directional antenna, like a Yagi or a hexbeam, not only focuses your transmitted energy directly toward the DX station but also actively rejects interfering signals from other directions. However, do not be discouraged if you are running a simple wire antenna. A well-placed dipole or end-fed half-wave can still break monumental pile-ups if you leverage good timing, exploit the skip zone, and listen closely to the DX operator. Ultimately, the best antenna in the world cannot compensate for poor operating habits.

Over to You

Working a pile-up is one of the most rewarding challenges in amateur radio. It tests your patience, refines your ear, and forces you to understand both the science of radio wave propagation and the psychology of your fellow operators. Every massive wall of sound is a puzzle waiting to be solved.

Now, I would love to hear from you. What was your most memorable pile-up experience? Do you have a specific tactic that consistently helps you break through the noise, or perhaps a frustrating moment that taught you a valuable lesson? Drop your stories and questions in the comments below, and let us keep the conversation going.

From my shack to yours, 73 de NW7US.

I started in the ham radio and shortwave listening hobby in 1972. By 1975, this was my first real receiver. It heard very well, and ignited my lifelong passion for radio.

The R-366/TRR-5 military receiver.

This old radio, the R-366/TRR-5, which is clearly identified on the faceplate in this picture of the military rig, had great ears. It was what I used to hone my Morse code copying skills and to get the hang of how amateur radio operators conducted communications with each other, with CW, AM, or SSB. I hope someday to own one once again.

The R-366

The R-366/TRR-5 is a significant piece of military history manufactured for the Navy Department Bureau of Ships by the Espey Manufacturing Company. Built during an era when the United States Navy required absolute reliability for ship to shore and ship to ship communications, the unit is a testament to the rugged industrial design of the mid-twentieth century. Often referred to as part of the TRR-5 receiving set, this equipment frequently incorporated high quality components and precision engineering including the gold standard Collins Radio Company designs of that period. These internal components were vital in providing the remarkable stability and selectivity needed to pull weak signals out of the dense electronic noise environment found on a crowded naval vessel. It did have heterodyne squeals on a select few frequencies, which any old tube receiver was prone to have, but those did not detract from the excellent capability of the radio.

The Service

For the sailors and radio operators serving aboard ships in the 1950s and 1960s these receivers were far more than just tools for duty. In the often cramped and isolated conditions of life at sea these radios served as a critical psychological anchor. Access to the bands meant hearing the familiar sounds of home or tuning into MARS stations where amateur radio operators facilitated phone patches that reconnected sailors with their families. This bridge to the outside world was essential for maintaining morale and supporting the mental health of military personnel who were otherwise cut off from the rhythms of civilian life for months at a time. Sitting in the radio shack and slowly tuning that large central dial while listening to the crackle of the ionosphere was a meditative escape from the constant hum of shipboard operations. Many ships would pipe ball games and news shows, or music programs, over the ships intercomms, providing health and morale to the personnel.

Operating the Radio

The tactile experience of operating this specific receiver remains vivid in my memory. The layout with its distinct knobs for selectivity phasing and BFO control was designed for the hands of a professional radio operator who needed to manipulate the signal in real time. It required a disciplined ear and a steady hand to copy Morse code through heavy atmospheric conditions but that struggle made every successful reception feel deeply rewarding. It taught me the patience and technical appreciation that have defined my amateur radio hobby for decades. Owning and using a piece of history like this represented a connection to the generations of operators who stood the watch before me.

Traveling the World…

With this historic military receiver, I discovered an entire world as a child in the mid 1970s. I spent countless nights in the quiet darkness of my room with only the warm orange and yellow glow from the vacuum tubes leaking out of the back and top grills and slots of the radio enclosure, as those hot tubes cast soft light on the ceiling and walls. That radio allowed me to travel the globe from my listening position often sitting cross-legged on the floor in front of this big rig. Those late night listening sessions, when I should have been sleeping, ignited a lifelong passion for understanding the vast and interconnected world of shortwave radio as well as medium-wave DXing. I heard International Shortwave Broadcast stations as well as AM broadcast stations from Europe, Asia, the South Pacific, the Atlantic regions, South America, Central America, and North America–all over the world! I listened to amateur radio operators on Morse code, SSB, and AM modes. Ships at sea, aircraft doing transoceanic flights, fishing vessels comms where fishing captains would chat with other boat captains, and even military communications were all at my fingertips on the dial of the radio as I listened to these exotic places by headphones. I even picked up a station from Peru, South America late one night, on the mediumwave broadcast band. That is how great that receiver could hear. Of course, I had a very excellent outdoor dipole antenna that was cut for 160 meters.

What Receiver Was Your First?

What was your first major receiver? Was it just a receiver, or was it a transceiver? When was that? What did you hear that captured your imagination? Do you still have that radio?
I hope to someday have this R-366/TRR-5, once again.

~ Happy DX!
NW7US

It might not take as much antenna as you may think would be necessary to make two-way contacts on shortwave radio (as an amateur radio operator putting an HF transceiver on the air). However, often, makeshift antennae are effective enough to be viable–just look at all the contacts many amateur radio operators make with their low-power (QRP) rigs (transceivers) using short, helically-wound, mobile antenna sticks. If they can work magic with such inefficient antenna setups, surely your effort at an antenna would pay off to some degree. Right?

[embedyt] https://www.youtube.com/watch?v=-k5Su–ez2Y[/embedyt]

Of course, I want to make a proper dipole out of this example antenna. But, while I wait for the rest of the parts I need to complete this antenna project (pulleys and a ladder, and maybe a potato launcher), I’ve put this makeshift antenna on the air, with it just high enough so that I can enjoy some time on the shortwave bands.

With this antenna, I’ve made successful two-way voice and Morse code contacts (QSOs) with stations in Europe and across North America. I am able to tune it on the 60-, 40-, 30-, 20-, 15-, 17-, 12-, and 10-Meter bands. Reverse beacon detection picks up my Morse-code CW signals, especially on 40 meters (the band on which it is tuned physically).

The bottom line: just get something up in the air and start communicating. Improve things over time. You’ll have much fun that way.

73 de NW7US dit dit

Sure! You don’t need to have a software-defined radio (SDR) before you start learning how to use the technology; there are a few different paths you can take, exploring and learning about SDR.

One way to gain some experience with SDR without spending a dime is to install a free software package for the very popular, non-Linux, operating system (that starts with ‘W’), and give SDR a test drive. If you like it, you might consider getting your own hardware (like the SDRplay RSPdx, for instance), and connecting it up to your computer and running this software, too.

Why I Dived Into SDR

I have always loved radio, ever since the early 1970s, when I discovered shortwave radio. In the last couple of years, I’ve had an increasing interest in the world of SDR. When I am working, but away from home (remember those days, before Covid?), I want to sample news and programming from around the world, but through shortwave. The way to do that, I found, is by using the various SDR options which allow a person to tune a remote receiver, and listen.

I also find working with the waterfall of a typical SDR-software user interface rewarding because, instead of blindly searching for signals in a subband, I can see all of the received signals on the scrolling time representation of a slice of frequency. Simply select that signal on the waterfall, and the radio tunes right to it.

I often connect to different SDR radios around the world, to catch all manner of shortwave signals, from maritime, military air, trans-oceanic air, or coast guard radio traffic, or other interesting HF communications including amateur radio CW and SSB signals. Occasionally, I also check out VHF and UHF signals from around the world. All of that, while instead an office building that is not suited for shortwave radio reception.

I’ve now decided to give back to the community; I’ve added my SDR receiver to the collection of receivers located around the world on the SDRSpace network of SDR radios.

My new SDRplay RSPdx software-defined radio receiver is live, via http://www.sdrspace.com/Version-3, using the SDR Console software (Version 3).

The receivers are online whenever I am not transmitting and when there are no local thunderstorms.

Antenna Port A is connected to a wire antenna (a horizontal 100-foot wire that runs out from my house’s chimney to a tall tree; about 10 feet of that wire is oriented vertically, where the wire passes through a pulley and then is weighted down so it can move with wind-driven tree movement), while Antenna Port B is connected up to a VHF/UHF discone.

Both antenna systems have an AM Broadcast band notch (reject) filter reducing local AM Broadcast-Band radio station signals by about 30 to 40 dB. I need to use these because the very close KLIN transmitting tower is just miles away and those signals overwhelm the receiver. When I use the signal filters, the local AM Broadcasting signals no longer overwhelm the receiver.

In the following video, I first explain my SDR setup, and in the second half of the video, I tune around the radio spectrum, using the software to control my SDR receiver.

[embedyt]https://www.youtube.com/watch?v=DHj917E1bKA[/embedyt]

A Couple of Questions

After watching this video, WO9B wrote an email to me. Michael asked of me two questions, summed up as:

1. Your SDR window has the IF screen on top. How is that accomplished?

2. Your AM Broadcast filters; more info, please. I live in the area of mucho broadcast stations and that looks like something I could use.

In the following video, I demonstrate how I changed my layout of the SDR Console software. And, I mention the AM Broadcast Filter for SDR Receivers (the hardware filter is found here: https://g.nw7us.us/3kU5SJN).

[embedyt]https://www.youtube.com/watch?v=YLBLHi441Zg[/embedyt]

To Use My Receiver

Download the latest version of SDR-Console from https://www.sdr-radio.com/download – there is a 32-bit and a 64-bit Windows installation package.

The 64-bit installation package may be downloaded from one of these three sources:

1. Google: https://g.nw7us.us/3auBq44
2. DropBox: https://g.nw7us.us/310ooIG
3. Microsoft: https://1drv.ms/u/s!AovWaZDu7Hrd3U-yqK1bs3wuaFw2?e=o4nKeh

The 32-bit installation package can be downloaded from one of these three sources:

1. Google: https://g.nw7us.us/3iLasrZ
2. DropBox: https://g.nw7us.us/3g4VcVc
3. Microsoft: https://1drv.ms/u/s!AovWaZDu7Hrd3U4mJiiRtI9lm70s?e=HDG4ZX

Install the SDR Console package according to the directions given. Once you have the software installed, you will want to add my server. It takes some work to get familiar with the software, but there are online FAQs on how to begin.

One guide on how to add a server to the list from which you can pick may be found, here:

https://www.sdrplay.com/wp-content/uploads/2018/02/SDRConsoleV3-ServerGuide1-1.pdf

I worked on getting all of the bugs worked out of my installation before making the video. It did take some work, and reading up on things. But, the software is solid and a good contender against SDRuno, and HDSDR, and, this way I can share it online with you.

My server is known as, ‘0 NW7US‘ — it will be online when I am not using my antenna systems for transmitting. It will be offline during thunderstorms, or during times when I must use the systems for transmitting.

Software-defined radio is a great way to hear all sorts of communications, from local AM broadcast stations, FM stations, VHF Air Traffic, to shortwave radio stations including amateur radio HF communications.

Thank you for watching, commenting, and most of all, for subscribing; please subscribe to my YouTube Channel: https://YouTube.com/NW7US Also, please click on the bell, to enable alerts so that when I post a new video, you will be notified. By subscribing, you will be kept in the loop for new videos and more.

73 de NW7US

.. (yes, this is an expansion of an earlier post… forgive the redundancy… thank you) ..

My new SDRplay RSPdx software-defined radio receiver is live, via http://www.sdrspace.com/Version-3, using the SDR Console software (Version 3).

The receivers are online whenever I am not transmitting and when there are no local thunderstorms.

Antenna Port A is a wire antenna (100′), while Antenna Port B is a VHF/UHF discone. Both have an AM Broadcast band reject filter, reducing local AM Broadcast signals by about 30 to 40 dB. I need to use these because the very close KLIN transmitting tower is just miles away and those signals overwhelm the receiver. When I use the signal filters, the local AM Broadcasting signals no longer overwhelm the receiver.

Let me know what you think. Enjoy!

To use my receiver:

Install the latest version of SDR-Console which can be downloaded from https://www.sdr-radio.com/download

Install SDR Console according to the directions given. Once you have the software installed, you will want to add my server.

It takes a little to get familiar with the software, but there are online FAQs on how to begin.

My server is known as, ‘0 NW7US‘ — it will be online when I am not using my antenna systems for transmitting. It will be offline during thunderstorms, or during times when I must use the systems for transmitting.

Software-defined radio is a great way to hear all sorts of communications, from local AM broadcast stations, FM stations, VHF Air Traffic, to shortwave radio stations including amateur radio HF communications.

Thank you for watching, commenting, and most of all, for subscribing; please subscribe to my YouTube Channel: https://YouTube.com/NW7US Also, please click on the bell, to enable alerts so that when I post a new video, you will be notified. By subscribing, you will be kept in the loop for new videos and more.

Video:

[embedyt] https://www.youtube.com/watch?v=DHj917E1bKA[/embedyt]

73!

Are you participating in this year’s CQ World-Wide DX Contest, either the SSB weekend (this coming weekend, October 28-29, 2017), or the CW weekend (November 25-26, 2017)?  The CQ WW is the largest Amateur Radio competition in the world. Over 35,000 participants take to the airwaves on the last weekend of October (SSB) and November (CW) with the goal of making as many contacts with as many different DXCC entities and CQ Zones as possible.

Space Weather and Radio Propagation

I have updated my forecast on the expected propagation conditions during both the SSB and CW weekends of the 2017 CQ World-Wide DX Contest.  I will publish a new update for the CW weekend, when we get closer to that November weekend.

The link to the latest update is: http://cqnewsroom.blogspot.com/2017/10/cqww-dx-contest-propagation-update.html

Good luck!

73 de NW7US dit dit

Shortwave radio has been a source for great sci-fi plots, spy intrigue novels, movies, and so on, since radio first became a “thing.” But, what is the big deal, really? What is it that amateur radio operators listen to?

In this video, I share some of the types of signals one might hear on the high frequencies (also known as shortwave or HF bands). This is the first video in an on-going series introducing amateur radio to the interested hobbyist, prepper, and informed citizen.

I often am asked by preppers, makers, and other hobbyists, who’ve not yet been introduced to the world of amateur radio and shortwave radio: “Just what do you amateur radio operators hear, on the amateur radio shortwave bands?”

To begin answering that question, I’ve taken a few moments on video, to share from my perspective, a bit about this shortwave radio thing:

Link to video: https://youtu.be/pIVesUzNP2U — please share with your non-ham friends.

From my shortwave website:

Shortwave Radio Listening — listen to the World on a radio, wherever you might be. Shortwave Radio is similar to the local AM Broadcast Band on Mediumwave (MW) that you can hear on a regular “AM Radio” receiver, except that shortwave signals travel globally, depending on the time of day, time of year, and space weather conditions.

The International Shortwave Broadcasters transmit their signals in various bands of shortwave radio spectrum, found in the 2.3 MHz to 30.0 MHz range. You might think that you need expensive equipment to receive these international broadcasts, but you don’t! Unlike new Satellite services, Shortwave Radio (which has been around since the beginning of the radio era) can work anywhere with very affordable radio equipment. All that you need to hear these signals from around the World is a radio which can receive frequencies in the shortwave bands. Such radios can be very affordable. Of course, you get what you pay for; if you find that this hobby sparks your interest, you might consider more advanced radio equipment. But you would be surprised by how much you can hear with entry-level shortwave receivers. (You’ll see some of these radios on this page).

You do not need a special antenna, though the better the antenna used, the better you can hear weaker stations. You can use the telescopic antenna found on many of the portable shortwave radios now available. However, for reception of more exotic international broadcasts, you should attach a length of wire to your radio’s antenna or antenna jack.

Check out books on radio…

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