AmateurRadio.com

Greetings Olivia and digital mode operators,

GREAT NEWS! WEBSITE UPDATE!

Here are the big three new features:

Live spotting is now available!

1. Live Olivia spotting. Just like on POTA and other sites, this is a live show and tell of your activity either by self spotting, or spotting stations you copy. Dedicated live spot page, you can view even on a cell phone.

   We are excited to announce a major new feature now live on OliviaDigitalMode.org: an interactive Live Station Spotting tool designed specifically for our digital HF community. Inspired by popular spotting platforms like DXWatch and POTA.app, this system makes it easier than ever to see who is active on the bands, find open Olivia QSOs, and share your own station reports in real time.

   Come Join the Live Spotting of Olivia Digital Mode

   Whether you are hunting for a contact or tracking band openings across different bandwidths and tone counts, the new spotting tool brings several powerful capabilities straight to your browser:

   • Real-Time Live Feed: The spotting page automatically refreshes every 15 seconds, ensuring you always see the latest on-air activity without needing to manually refresh the page.
   • Smart Spot Grouping: When multiple operators spot the same station, the system automatically groups those reports together into a single clean line. Instead of duplicate entries cluttering your view, you will see the station, frequency, mode, and a list of all operators who spotted them.
   • Timeframe Visual Highlighting: You can easily filter for fresh activity. By selecting a window of 5 minutes, 15 minutes, 30 minutes, or 1 hour, brand-new spots are visually highlighted so you can jump on active signals immediately.
   • Flexible Display Options: On the dedicated spotting page, you can choose how many spots to display at once (from 10 up to 250 rows) and toggle between a grouped callsign layout or a detailed chronological log.
   • At-a-Glance Homepage Widget: A lightweight summary widget on the main homepage shows the top 5 to 10 most recent spots the moment you arrive on the site.
   • Fast Performance and Historical Archives: Active spots stay on the main board for 12 hours to keep queries ultra-fast. After 12 hours, spots automatically move to a historical archive where they remain available for band activity research and propagation analysis.

   To keep the spotting board reliable and free of spam, posting new spots will require a simple, free operator account. When you register, you will just need to include a short note for the site administrators to verify your callsign and approve your posting access. Once approved, you can log in anytime and share spots whenever you are on the air.

2. Live Calendar of Olivia Events. I have now put live the active calendar functionality on the site, and seeded it with possible calendar events. I will start planning our upcoming events – which require YOUR input on such things as, monthly sprints, special events that you want to do, and, our quarterly QSO parties.
3. Feedback form. This is a community website. Now, you can leave feedback; what would you like on the website. What should be different? What is not working? What is working? Please leave us feedback.

Come be a part of this conversational digital mode!

Olivia is the digital communications mode on shortwave (high frequency sub band, or, HF) for amateur radio operators who want more than the “Check Propagation” FT8 mode. This video is an introduction that was presented to the Raleigh Amateur Radio Society ( https://www.rars.org/ ) on December 12, 2023, presented by Tomas Hood, NW7US

Olivia information can be found, here:
https://OliviaDigitalMode.org

Olivia, a Multi-Frequency Shift Keying (MFSK) radioteletype digital mode, is an amateur radioteletype protocol designed to work in difficult (low signal-to-noise ratio plus multipath) propagation conditions on shortwave radio (i.e., high-frequency, or HF) bands. The typical Olivia signal is decoded when the amplitude of the noise is over ten times that of the digital signal! It is commonly used by amateur radio operators to reliably transmit ASCII characters over noisy channels (slices of high-frequency spectrum — i.e., frequencies from 3 MHz to 30 MHz; HF) exhibiting significant fading and propagation phasing.

The Olivia digital modes are commonly referred to by the number of tones and the bandwidth used (in Hz). Therefore, it is common to express the Olivia digital mode as Olivia X/Y (or, alternatively, Olivia Y/X ), where X refers to the number of different audio tones transmitted, and Y refers to the bandwidth in Hertz over which these signals are spread. Examples of common Olivia modes are, 8/250 (meaning, 8 tones/250-Hertz bandwidth), 16/500, and, 32/1000.

The protocol was developed at the end of 2003 by Pawel Jalocha. The first on-the-air tests were performed by two radio amateurs, Fred OH/DK4ZC and Les VK2DSG, on the Europe-Australia propagation path in the 20-meter shortwave radio amateur band. The tests proved that the Olivia protocol (or, digital mode) works well and can allow regular intercontinental radio contacts with as little as one-watt RF power (when propagation is highly-favorable). Since 2005, Olivia has become a standard for digital data transfer under white noise, fading and multipath, flutter (polar path) and auroral conditions.

Olivia can perform nearly as good as the very popular WSJT mode, FT8, and better than FT4.

See you on the waterfall!

73 de NW7US

This article is part two of the series taking a look at band plans and gentlemen agreements.
See part one, here: Land (er, FREQUENCY) Grab.  See part three, here: In Response — Can’t We All Just Get Along?

Displaced and Marginalized

There are some unhappy amateur radio operators in the world of shortwave operations. Users of Morse code, and digital modes other than the highly-popular modes engineered by Joe Taylor, K1JT, feel displaced on the many amateur radio bands where Joe’s wildly-popular mode FT8 has erupted.

Joe (born March 29, 1941), is a friend of hams everywhere, and is an American astrophysicist and Nobel Prize in Physics laureate (https://g.nw7us.us/2Ptquv1) for his discovery with Russell Alan Hulse of a “new type of pulsar, a discovery that has opened up new possibilities for the study of gravitation.”

Many have asked questions like, “Did Joe Taylor K1JT Destroy Amateur Radio? Did Joe Taylor K1JT, Nobel Laureate and noted friend of hams everywhere, accidentally destroy amateur radio?” This question remains relevant, even as more and more FT8 operators take to the HF bands to chase wallpaper and awards.

FT8 Has Validity and Usefulness

Full disclosure: I administer a Facebook group for FT8 and FT8-related modes, because I believe that the mode has a valid place in our amateur radio technology portfolio.  Here is the Facebook group URL, if you would like to join the fun: https://www.facebook.com/groups/FT8.FT4.HF.6m/. Understand, I have used and will continue to use FT8.

Because it has a place, it stands to reason that everyone should become more aware of the impact of using FT8 on the bands. It also stands to reason that it should be used ethically, and in the best spirit of amateur radio.

Many amateur operators use the FT8 digital mode as a novelty when there isn’t much else happening on amateur radio shortwave bands. One of the great things about it is that you can tell when a band is open–even though you don’t hear any other signals of other modes on the band in question, you very well may hear the roar of FT8 on the band where propagation actually exists to somewhere else than your QTH.

Others use it to finally get their DXCC, or WAS, or other award and wallpaper. This is especially popular during this season of the sunspot cycle where there are no sunspots–propagation is limited to lower-HF amateur bands because there’s just not enough solar activity to energize the ionosphere enough to open up the higher segment of shortwave.

FT8 Has Limitations

Can FT8 be used for two-way conversations? No. However, the JS8CALL digital mode is designed from the FT8 mode, by changing the protocol in a way that allows free text. It is designed for ragchewing and the new version 2.0 offers three modes of chat with 50 Hz and 16 wpm, 80 Hz and 24 wpm, and the turbo mode at 160hz and 40wpm with turbo only having a 6-second turn around time. The designated frequency is 7.078, which many find much nicer to use.

However, many find JS8CALL combersome, and non-intuitive.  How fast and how reliably can it handle critical messages, say, during an emergency?  I’m sure the software will improve, but how good is the protocol?

A mode such as Olivia has been field proven, and time tested.  It can reliably handle traffic.

The Rant

During the early days of widespread FT8 operation that came with the first public non-Beta release of FT8-equipped WSJT-X software, I tried to reason with the FT8 development leadership team. I made a polite attempt at explaining how incredibly rude they were in purposefully programming into the software the default operating frequencies such as 7.075, 14.075, and so on.

One of the main leaders of that team slammed me and stated that “we only suggested those frequencies; the operator is free to change them.” Additionally, he stated that the team used a common QSO/Mode spotting website to see what digital modes or other operations (like CW) were sparser. They perceived that the frequencies they proposed where no longer active because they saw few if any spots. They thought that no one would care.

I explained that a single website-spotting strategy was illogical and very lazy. This is true for several reasons, at least.

I guess you have to have a Ph.D. to know better than any average ham who went by gentleman’s agreements. I have an extremely dim view of JT and his disciples. CW is not the only operating group he’s engineered out of traditional slices of spectrum. Olivia, and other modes, now have been pushed down into PSK subbands, and everyone is feeling the crowding. As far as my thinking of FT8, well, it is radio, but it doesn’t foster goodwill and building serious communications skill. IMHO.

Play Nice, Be Positive and Polite. Smile.

I’ve received wise counsel from a number of fellow amateur radio operators.  They implore us to not promote hostility between “us and them.”  That even though the WSJT team is playing the playground bully, we should not be vengeful, but polite and willing to negotiate in good faith.

If we don’t play nice with the bully then the bully won’t play with us.  And, the general public will side with the bully because the bully has the nice toys…

Good negotiations, though, take a willingness by both sides, so that conversation evolves,  resulting in positive, cooperative actions embraced by both parties. There are other amateur radio operators who have made attempts to open up talks with Joe and crew.  What are the results, so far?

We can hope that Joe Taylor and his group of developers and leadership take a proactive role and join a conversation that is with a wider group of amateurs than just the WSJT enthusiasts.  We hope that they will play fairly, and cooperatively, with the rest of the amateur radio community.

Tomas Hood, NW7US, is a regular contributor to AmateurRadio.com and writes from Nebraska, USA. Tomas is the Space Weather and Radio Propagation Contributing Editor to ‘CQ Amateur Radio Magazine’, and ‘The Spectrum Monitor’ magazine.

Wow. What a radio!

One of the most useful (and, to me, amazing) features of this Icom IC-7610, is the IP+ function, which, when turned on, improves the Intermodulation Distortion (IMD) quality by optimizing the direct sampling system performance. This function optimizes the Analog/Digital Converter(ADC) against distortion when you receive a strong input signal. It also improves the Third-order Intercept Point (IP3) while minimizing the reduction of the receiver sensitivity.

In short: I was listening to an s-0 (i.e., no strength-meter movement) weak signal of a DX station, when right adjacent to the frequency came an s-7 signal, wiping out my ability to copy that weak signal. I turned on the IP+ and the distortion of the adjacent signal disappeared, and once again, I heard the weak signal IN THE CLEAR! WOW!

This video is a quick capture of my running the Olivia Digital Mode on HF, on the 30-Meter band. The transmissions are of a two-way Olivia digital-mode radio conversation between station K8CJM and station NW7US on 12 November 2019 (UTC date). K8CJM is located in Dayton, Ohio, and I am located in Lincoln, Nebraska. I’m running the radio at full power. The radio is rated as being able to handle 100% duty cycle at full power. The radio ran cool, no significant heating.

A few months ago, a lightning strike took out my ham radio station. The antenna was NOT connected, but I did not unplug the power supply chain and my computer from the wall. The surge came in through the power mains, and fried my uninterruptable power supply, the interfaces between my PC and radio, and fried the radio. Thankfully, all of that was covered by my homeowner’s insurance policy, less the steep deductible. My insurance covered all of the blown items, and that provided me this chance to obtain a repack version of the Icom IC-7610. I bought an extended four-year warranty.

CAUTION: Check the documentation of your transceiver/transmitter. NEVER run your radio’s power out at a level that exceeds what it can handle in reference to the duty cycle of the mode you are using. Olivia, for instance, is a 100-percent duty cycle mode. Morse code is NOT quite 100% duty cycle. Nor is SSB, a mode that operates with a duty cycle much lower than 100%. Your radio’s manual should tell you the specifications regarding the duty cycle it can handle! If you run more power than your radio can handle with the given duty cycle of the mode in use, you will blow your radio’s finals or in some other way damage the radio! Beware! I’ve warned you!

Compression and ALC!?

Some have noted that it appears that I’ve left on the Compression of the transmitted audio. However, the truth is that compression was not being used (as is proof by carefully taking note of the zero meter movement of the Compression activity). I had the radio set for 20-Meter USB operation on the Sub VFO. Compression was set for standard USB operation. Note also that the radio was transmitting USB-D1, which means the first data/soundcard input to the radio.

Also, some people complain about my use of ALC, because, in their view, ALC (automatic level control) is a no-no for data modes.

The notion that one must NEVER use ALC when transmitting digital modes is not accurate.

Multi-frequency shift keyed (MFSK) modes with low symbol rate–such as the Olivia digital modes–use a single carrier of constant amplitude, which is stepped (between 4, 8, 16 or 32 tone frequencies respectively) in a constant phase manner. As a result, no unwanted sidebands are generated, and no special amplifier (including a transmitter’s final stage) linearity requirements are necessary.

Whether the use of ALC matters or not depends on the transmitted digital mode.

For example, FSK (Frequency-Shift Keying; i.e., RTTY) is a constant-amplitude mode (frequency shift only). In such a case, the use of ALC will NOT distort the signal waveform.

PSK31 does contain amplitude shifts, as an example, therefore you don’t want any ALC action that could result in distortion of the amplitude changes in the waveform.

On the other hand, the WSJT manual says that its output is a constant-amplitude signal, meaning that good linearity is not necessary. In that case, the use of ALC will NOT distort the transmitted signal-amplitude waveform. You can use ALC or not, as you choose when you run WSJT modes, or Olivia (MFSK).

Clarification

Nowhere in this am I advocating running your audio really high, thinking that the ALC will take care of it. I am not saying that. I am saying that some ALC is not going to be an issue. You MUST not overdrive any part of the audio chain going into the transmitter!

Transmit audio out of the sound card remains at a constant amplitude, so there will be no significant change in power output if you adjust your input into the radio so that the ALC just stops moving the meter, or, you can have some ALC meter movement. You can adjust your audio to the transmitter either way.

If the transmitter filters have a significant degree of ripple in the passband then you may find that RF power output changes with the selected frequency in the waterfall when there is no ALC action. Allowing some ALC action can permit the ALC to act as an automatic gain adjustment to keep the output power level as you change frequencies.

Linear and Non-Linear

Regarding linear and non-linear operation (amplifiers, final stages): While a Class-C amplifier circuit has far higher efficiency than a linear circuit, a Class-C amplifier is not linear and is only suitable for the amplification of constant-envelope signals. Such signals include FM, FSK, MFSK, and CW (Morse code).

If Joe Taylor’s various modes (in WSJT software) are constant-envelope signals, than class-C works, right? At least, in theory.

Some Additional Cool History

The digital mode, Thor, came out of DominoEX when FEC was added. Here is an interesting history of FSQ that seems to confirm that FSQ is like MFSK, so no problem with a bit of ALC.

The following is from https://www.qsl.net/zl1bpu/MFSK/FSQweb.htm

History – Let’s review the general history of Amateur MFSK modes. The first Amateur MFSK mode developed anywhere was MFSK16, specified by Murray Greenman ZL1BPU, then first developed and coded by Nino Porcino IZ8BLY in 1999. Before MFSK16 arrived, long-distance (DX) QSOs using digital modes were very unreliable: reliant, as they were, on RTTY and later PSK31. MFSK16 changed all that, using 16 tones and strong error correction. Great for long path DX, but nobody could ever say it was easy to use, never mind slick (quick and agile)!

Over the next few years, many MFSK modes appeared, in fact too many! Most of these were aimed at improving performance on bands with QRM. Most used very strong error correction, some types a poor match for MFSK, and these were very clumsy in QSO, because of long delays.

The next major development, aimed at easy QSOs with a slick turnaround, was DominoEX, designed by Murray Greenman ZL1BPU and coded by Con Wassilieff ZL2AFP, which was released in 2009. Rather than using error correction as a brute-force approach, DominoEX was based on sound research and achieved its performance through carefully crafted modulation techniques that required no error correction. The result was a simpler, easier to tune, easily identified mode with a fast turn-around.

DominoEX is widely used and available in many software packages. A later development by Patrick F6CTE and then Dave W1HKJ added FEC to this mode (THOR) but did not add greatly to performance, and at the same time eroded the fast turn-around. The final DominoEX- related development was EXChat, a version of DominoEX designed specifically for text-message style chatting. While completely compatible with DominoEx, it operates in ‘Sentence Mode’, sending each short over when the operator presses ENTER. EXChat was developed by Con ZL2AFP and released in 2014.

Back in 2013, Con ZL2AFP developed an MFSK mode for LF and MF which used an unusual decoding method pioneered by Alberto I2PHD: a ‘syncless’ decoder, which used a voting system to decide when one tone finished and another began. The first use of this idea was in JASON (2002), which proved to be very sensitive, but very slow, partly because it was based on the ASCII alphabet. The new mode, WSQ2 (Weak Signal QSO, 2 baud) combined the syncless decoder with more tones, 33 in total, and an alphabet specially developed by Murray ZL1BPU, which could send each lower case letter (and common punctuation) in just one symbol, resulting in a very sensitive (-30 dB SNR) mode with a 5 WPM typing speed.

In the subsequent discussion in late 2014, between the developers ZL2AFP and ZL1BPU, it was realized that if the computer had enough processing power to handle it, WSQ2 could be ‘sped up’ to become a useful HF chat mode. This required a large amount of development and retuning of the software to achieve adequate speed was involved, along with much ionospheric simulator and on-air testing used to select the most appropriate parameters.

Tests proved that the idea not only worked well, but it also had marked advantages over existing HF MFSK modes, even DominoEX. As expected, the new mode was found to have superior tolerance of signal timing variation, typically caused by multi-path reception, and would also receive with no change of settings over a wide range of signaling speeds.

So this is how FSQ came about. It uses the highly efficient WSQ character alphabet, IFK+ coding, the same number of tones as WSQ (33), but runs a whole lot faster, up to 60 WPM, and uses different tone spacing. The symbol rate (signaling speed) is modest (six tones per second or less), but each individual tone transmitted carries a surprising amount of information, resulting in a high text transmission speed. And it operates in ‘Chat’ (sentence) mode, which allows the user to type as fast as possible since they type only while receiving.

The ability to send messages and commands selectively has opened a huge array of communications possibilities.

What Makes FSQ Different

Incremental Keying – FSQ uses Offset Incremental Frequency Keying (IFK+), a type of differential Multi-Frequency Shift Keying (MFSK) with properties that make it moderately drift-proof and easy to tune. IFK+ also has excellent tolerance of multi-path reception.

IFK was developed by Steve Olney VK2XV. IFK+ (with code rotation) was proposed by Murray Greenman ZL1BPU and first used in DominoEX. IFK+ prevents repeated same tones without complex coding and provides improved rejection of propagation-related inter-symbol interference. In the context of sync-less decoding, the IFK+ code rotation also prevents repeated identical tones, which could not have been detected by this method.

Efficient Alphabet – In FSQ, a relatively high typing speed at a modest baud rate comes about because the alphabet coding is very efficient. All lower case letters and the most common punctuation can be sent in just one symbol and all other characters (the total alphabet contains 104 characters) in just two symbols. (The alphabet is listed below). This is a simple example of a Varicode, where it takes less time to send the more common characters. The character rate is close to six per second (60 WPM), the same as RTTY, but at only 1/8th of the baud rate. (RTTY has only one bit of information per symbol, 7.5 symbols per character, and wastes a third of its information on synchronization, and despite this, works poorly on HF).

No Sync – Another important factor in the design of FSQ is that no synchronizing process is required to locate and decode the received characters. Lack of sync means that reception is much less influenced by propagation timing changes that affect almost all other modes since timing is quite unimportant to FSQ; it almost completely eliminates impulse noise disruption, and it also contributes to very fast acquisition of the signal (decoding reliably within one symbol of the start of reception). Fast acquisition removes the need for the addition of extra idle characters at the start of transmission, and this leads to a very slick system. Add high resistance to QRM and QRN, thanks to the low baud rate, and you have a system so robust that it does not need error correction.

Cool.

See you on the bands!