Posts Tagged ‘Video’
Wow. What a radio!
One of the most useful (and, to me, amazing) features of this Icom IC-7610, is the IP+ function, which, when turned on, improves the Intermodulation Distortion (IMD) quality by optimizing the direct sampling system performance. This function optimizes the Analog/Digital Converter(ADC) against distortion when you receive a strong input signal. It also improves the Third-order Intercept Point (IP3) while minimizing the reduction of the receiver sensitivity.
In short: I was listening to an s-0 (i.e., no strength-meter movement) weak signal of a DX station, when right adjacent to the frequency came an s-7 signal, wiping out my ability to copy that weak signal. I turned on the IP+ and the distortion of the adjacent signal disappeared, and once again, I heard the weak signal IN THE CLEAR! WOW!
This video is a quick capture of my running the Olivia Digital Mode on HF, on the 30-Meter band. The transmissions are of a two-way Olivia digital-mode radio conversation between station K8CJM and station NW7US on 12 November 2019 (UTC date). K8CJM is located in Dayton, Ohio, and I am located in Lincoln, Nebraska. I’m running the radio at full power. The radio is rated as being able to handle 100% duty cycle at full power. The radio ran cool, no significant heating.
A few months ago, a lightning strike took out my ham radio station. The antenna was NOT connected, but I did not unplug the power supply chain and my computer from the wall. The surge came in through the power mains, and fried my uninterruptable power supply, the interfaces between my PC and radio, and fried the radio. Thankfully, all of that was covered by my homeowner’s insurance policy, less the steep deductible. My insurance covered all of the blown items, and that provided me this chance to obtain a repack version of the Icom IC-7610. I bought an extended four-year warranty.
CAUTION: Check the documentation of your transceiver/transmitter. NEVER run your radio’s power out at a level that exceeds what it can handle in reference to the duty cycle of the mode you are using. Olivia, for instance, is a 100-percent duty cycle mode. Morse code is NOT quite 100% duty cycle. Nor is SSB, a mode that operates with a duty cycle much lower than 100%. Your radio’s manual should tell you the specifications regarding the duty cycle it can handle! If you run more power than your radio can handle with the given duty cycle of the mode in use, you will blow your radio’s finals or in some other way damage the radio! Beware! I’ve warned you!
Compression and ALC!?
Some have noted that it appears that I’ve left on the Compression of the transmitted audio. However, the truth is that compression was not being used (as is proof by carefully taking note of the zero meter movement of the Compression activity). I had the radio set for 20-Meter USB operation on the Sub VFO. Compression was set for standard USB operation. Note also that the radio was transmitting USB-D1, which means the first data/soundcard input to the radio.
Also, some people complain about my use of ALC, because, in their view, ALC (automatic level control) is a no-no for data modes.
The notion that one must NEVER use ALC when transmitting digital modes is not accurate.
Multi-frequency shift keyed (MFSK) modes with low symbol rate–such as the Olivia digital modes–use a single carrier of constant amplitude, which is stepped (between 4, 8, 16 or 32 tone frequencies respectively) in a constant phase manner. As a result, no unwanted sidebands are generated, and no special amplifier (including a transmitter’s final stage) linearity requirements are necessary.
Whether the use of ALC matters or not depends on the transmitted digital mode.
For example, FSK (Frequency-Shift Keying; i.e., RTTY) is a constant-amplitude mode (frequency shift only). In such a case, the use of ALC will NOT distort the signal waveform.
PSK31 does contain amplitude shifts, as an example, therefore you don’t want any ALC action that could result in distortion of the amplitude changes in the waveform.
On the other hand, the WSJT manual says that its output is a constant-amplitude signal, meaning that good linearity is not necessary. In that case, the use of ALC will NOT distort the transmitted signal-amplitude waveform. You can use ALC or not, as you choose when you run WSJT modes, or Olivia (MFSK).
Nowhere in this am I advocating running your audio really high, thinking that the ALC will take care of it. I am not saying that. I am saying that some ALC is not going to be an issue. You MUST not overdrive any part of the audio chain going into the transmitter!
Transmit audio out of the sound card remains at a constant amplitude, so there will be no significant change in power output if you adjust your input into the radio so that the ALC just stops moving the meter, or, you can have some ALC meter movement. You can adjust your audio to the transmitter either way.
If the transmitter filters have a significant degree of ripple in the passband then you may find that RF power output changes with the selected frequency in the waterfall when there is no ALC action. Allowing some ALC action can permit the ALC to act as an automatic gain adjustment to keep the output power level as you change frequencies.
Linear and Non-Linear
Regarding linear and non-linear operation (amplifiers, final stages): While a Class-C amplifier circuit has far higher efficiency than a linear circuit, a Class-C amplifier is not linear and is only suitable for the amplification of constant-envelope signals. Such signals include FM, FSK, MFSK, and CW (Morse code).
If Joe Taylor’s various modes (in WSJT software) are constant-envelope signals, than class-C works, right? At least, in theory.
Some Additional Cool History
The digital mode, Thor, came out of DominoEX when FEC was added. Here is an interesting history of FSQ that seems to confirm that FSQ is like MFSK, so no problem with a bit of ALC.
The following is from https://www.qsl.net/zl1bpu/MFSK/FSQweb.htm
History – Let’s review the general history of Amateur MFSK modes. The first Amateur MFSK mode developed anywhere was MFSK16, specified by Murray Greenman ZL1BPU, then first developed and coded by Nino Porcino IZ8BLY in 1999. Before MFSK16 arrived, long-distance (DX) QSOs using digital modes were very unreliable: reliant, as they were, on RTTY and later PSK31. MFSK16 changed all that, using 16 tones and strong error correction. Great for long path DX, but nobody could ever say it was easy to use, never mind slick (quick and agile)!
Over the next few years, many MFSK modes appeared, in fact too many! Most of these were aimed at improving performance on bands with QRM. Most used very strong error correction, some types a poor match for MFSK, and these were very clumsy in QSO, because of long delays.
The next major development, aimed at easy QSOs with a slick turnaround, was DominoEX, designed by Murray Greenman ZL1BPU and coded by Con Wassilieff ZL2AFP, which was released in 2009. Rather than using error correction as a brute-force approach, DominoEX was based on sound research and achieved its performance through carefully crafted modulation techniques that required no error correction. The result was a simpler, easier to tune, easily identified mode with a fast turn-around.
DominoEX is widely used and available in many software packages. A later development by Patrick F6CTE and then Dave W1HKJ added FEC to this mode (THOR) but did not add greatly to performance, and at the same time eroded the fast turn-around. The final DominoEX- related development was EXChat, a version of DominoEX designed specifically for text-message style chatting. While completely compatible with DominoEx, it operates in ‘Sentence Mode’, sending each short over when the operator presses ENTER. EXChat was developed by Con ZL2AFP and released in 2014.
Back in 2013, Con ZL2AFP developed an MFSK mode for LF and MF which used an unusual decoding method pioneered by Alberto I2PHD: a ‘syncless’ decoder, which used a voting system to decide when one tone finished and another began. The first use of this idea was in JASON (2002), which proved to be very sensitive, but very slow, partly because it was based on the ASCII alphabet. The new mode, WSQ2 (Weak Signal QSO, 2 baud) combined the syncless decoder with more tones, 33 in total, and an alphabet specially developed by Murray ZL1BPU, which could send each lower case letter (and common punctuation) in just one symbol, resulting in a very sensitive (-30 dB SNR) mode with a 5 WPM typing speed.
In the subsequent discussion in late 2014, between the developers ZL2AFP and ZL1BPU, it was realized that if the computer had enough processing power to handle it, WSQ2 could be ‘sped up’ to become a useful HF chat mode. This required a large amount of development and retuning of the software to achieve adequate speed was involved, along with much ionospheric simulator and on-air testing used to select the most appropriate parameters.
Tests proved that the idea not only worked well, but it also had marked advantages over existing HF MFSK modes, even DominoEX. As expected, the new mode was found to have superior tolerance of signal timing variation, typically caused by multi-path reception, and would also receive with no change of settings over a wide range of signaling speeds.
So this is how FSQ came about. It uses the highly efficient WSQ character alphabet, IFK+ coding, the same number of tones as WSQ (33), but runs a whole lot faster, up to 60 WPM, and uses different tone spacing. The symbol rate (signaling speed) is modest (six tones per second or less), but each individual tone transmitted carries a surprising amount of information, resulting in a high text transmission speed. And it operates in ‘Chat’ (sentence) mode, which allows the user to type as fast as possible since they type only while receiving.
The ability to send messages and commands selectively has opened a huge array of communications possibilities.
What Makes FSQ Different
Incremental Keying – FSQ uses Offset Incremental Frequency Keying (IFK+), a type of differential Multi-Frequency Shift Keying (MFSK) with properties that make it moderately drift-proof and easy to tune. IFK+ also has excellent tolerance of multi-path reception.
IFK was developed by Steve Olney VK2XV. IFK+ (with code rotation) was proposed by Murray Greenman ZL1BPU and first used in DominoEX. IFK+ prevents repeated same tones without complex coding and provides improved rejection of propagation-related inter-symbol interference. In the context of sync-less decoding, the IFK+ code rotation also prevents repeated identical tones, which could not have been detected by this method.
Efficient Alphabet – In FSQ, a relatively high typing speed at a modest baud rate comes about because the alphabet coding is very efficient. All lower case letters and the most common punctuation can be sent in just one symbol and all other characters (the total alphabet contains 104 characters) in just two symbols. (The alphabet is listed below). This is a simple example of a Varicode, where it takes less time to send the more common characters. The character rate is close to six per second (60 WPM), the same as RTTY, but at only 1/8th of the baud rate. (RTTY has only one bit of information per symbol, 7.5 symbols per character, and wastes a third of its information on synchronization, and despite this, works poorly on HF).
No Sync – Another important factor in the design of FSQ is that no synchronizing process is required to locate and decode the received characters. Lack of sync means that reception is much less influenced by propagation timing changes that affect almost all other modes since timing is quite unimportant to FSQ; it almost completely eliminates impulse noise disruption, and it also contributes to very fast acquisition of the signal (decoding reliably within one symbol of the start of reception). Fast acquisition removes the need for the addition of extra idle characters at the start of transmission, and this leads to a very slick system. Add high resistance to QRM and QRN, thanks to the low baud rate, and you have a system so robust that it does not need error correction.
See you on the bands!
In the 1990s while living in eastern Montana, I had the amazing experience of reuniting two soldiers that served in the Devil’s Brigade. They both trained near Helena, Montana.
One day, I was operating on the amateur radio shortwave Ten-Meter band, and a gentleman answered my, “CQ, CQ, CQ, this is N7PMS in Montana, Over”. I took notes of our conversation.
The next day, when again I called for any station to answer my call for a conversation, another fellow, from Canada, answered me. I learned something amazing: Both of these two men mentioned that, during World War Two, they both were in the same special forces unit, training near Helena, Montana.
One of these Veterans served in the Canadian Armed Forces, and the other in the American Armed Forces. Listen to my story, for the full details of this amazing experience I had as an amateur radio operator.
Jump to 3:22 if you wish to skip my introduction to the story, during which I give some background on when and so on:
This certainly was one of the most memorable moments in my amateur radio hobby experience! The joy of reuniting friends is good.
The 1st Special Service Force (also called The Devil’s Brigade, The Black Devils, The Black Devils’ Brigade, and Freddie’s Freighters), was an elite American-Canadian commando unit in World War II, under command of the United States Fifth Army. The unit was organized in 1942 and trained at Fort William Henry Harrison near Helena, Montana in the United States. The Force served in the Aleutian Islands, and fought in Italy, and southern France before being disbanded in December 1944.
The modern American and Canadian special operations forces trace their heritage to this unit. In 2013, the United States Congress passed a bill to award the 1st Special Service Force the Congressional Gold Medal.
Thank you for watching, and sharing. Comments are welcome: do you have a memorable moment in your radio hobby experience on the air?
73 de NW7US
My first QSO (and, yeah, it was with Morse code) was petrifying and…
What’s your story of your first QSO?
73 de NW7US
This is my reply to many responses that I have been receiving on my original blog entry, located at this AmateurRadio.com website,(my shortened URL: https://g.nw7us.us/arrl2fccR2) as well as to the original video, posted in that blog entry.
I wish to reply to all of those who are against the idea of expanding the privileges of the Technician-class licensee, the expansions including the ability to operate Voice and Digital in limited slices in a subset of lower-than-Ten-Meter amateur radio shortwave allocations.
It seems to me, that…
…the issue is not one of Technician-class licensees wanting more privileges, as a whole. What the ARRL is addressing is the *lack* of desire by most current Techs to upgrade.
The logic behind the idea of expanding privileges concludes that if you give them a taste of lower-shortwave propagation and excitement (by moving past the CW-only restriction on the lower tech allocations), then they *will* want to upgrade.
This logic is already proven as applicable by the fact that the General class exists! All that this proposal will do is allow the Tech to experience what could be very attractive–just like for the General. If it worked in the past with Novice, Technician, General, Advanced, and Amateur Extra (exposing to all of HF, even if by way of a CW-only requirement), then it will work, now. The difference is that the CW-only requirement on lower HF bands is highly restrictive because the mode is no longer needed to operate on any frequency, and, most will not take the time to learn it just to see if they WANT to explore the lower HF bands, or ever upgrade.
The bottom line is that we should make the Tech ticket more relevant. The expansion is not dumbing down, nor does it give away the farm.
I discuss this original point in the two videos that were lower down in the original post:
Thanks for reading, watching the videos, and having a useful dialog about this very important change to the amateur radio regulations in the USA.
That aside: This may, in the long term, reveal one of two possible truths:
1. There is no real need for three license classes. Two would suffice. General and Amateur Extra, or Technician (merged with General) and Amateur Extra.
2. There is no real need for three license classes. One would suffice. Make the test hard enough to cover the Extra-class material, and all material under that class, and merge everyone into one tested class. I believe that this has been tried in other countries, and it appears to work well.
I’ll be crucified for stating those ideas, but, hey, this is just a hobby.
As some of you know, I have had some differences of opinion regarding the selection of frequencies chosen by the FT8 creators and advocates. Regardless, I do still use the mode. Here is proof:
Go ahead and share, if you would. And, please subscribe to my YouTube channel, as I will be creating many how-to videos in the near future.
Thanks and 73 … de NW7US
In this video, I expound on another point of view regarding the ARRL petition to the FCC. The petition requests an expansion of operating privileges of Technician-class operators in the USA. The ARRL believes that giving broader shortwave access, using digital communications, to Technicians, will better entice the Techs to upgrade to General or Amateur Extra. In this video, I discuss this a bit.
If you are wondering why I’ve made a few videos about this topic, when the topic has been the hot item on many forums already, I believe that the drama will not cease until well after the FCC makes a decision, because this is a relevant topic, and one that has a significant impact on the amateur radio community at large. It is not a trivial conversation about which type of coax is best suited for Arctic field activity.
After some replies came from various viewers, I clarify my point. I stand corrected.
I failed to mention that there are a limited few slices of VOICE (SSB) spectrum on HF that the petition seeks for the Tech licensee. The ARRL states, “ARRL has asked the FCC to expand HF privileges for Technician licensees to include limited phone privileges on 75, 40, and 15 meters, plus RTTY and digital mode privileges on 80, 40, 15, and 10 meters.”
More specifically, “ARRL proposes to provide Technician licensees, present and future, with phone privileges at 3.900 to 4.000 MHz, 7.225 to 7.300 MHz, and 21.350 to 21.450 MHz, plus RTTY and digital privileges in current Technician allocations on 80, 40, 15, and 10 meters. The ARRL petition points out the explosion in popularity of various digital modes over the past 2 decades. Under the ARRL plan, the maximum HF power level for Technician operators would remain at 200 W PEP. The few remaining Novice licensees would gain no new privileges under the League’s proposal.” Reference: http://www.arrl.org/news/arrl-requests-expanded-hf-privileges-for-technician-licensees
My point holds: give some reason to desire to upgrade to a higher class. Do this by granting HF operations on lower bands (lower in frequency than 10 Meters), with more than a CW-only privilege.
If a tech can only use CW on 80m, but doesn’t know CW, then it is likely she won’t ever try making contacts on 80m. Hence, no exposure to the magic of 80-meter DX. If, however, the Tech can dabble with digital or limited SSB, on 80m, then she gets a real, practical exposure to the magic, and may well upgrade. Why do you think a General, who has limits, would ever upgrade? What am I missing here?
The following video expands this idea:
The truth is, I see a strong argument for just ONE license, permanent. Or a temporary entry-level training ticket, then the permanent. But, that would make us like some other countries. That can’t be good.
The original video to which this new video continues is here:
Some viewers are asking me why I am making a video while driving. They try to convince me that talking while driving is too distracting. My answer is here:
73 de NW7US
What got you interested in radio? What hooked you?
I’ve been asked, “What got you interested in radio, space weather, and the science of radio-wave propagation?”
Here’s a short answer as to why (and when) I became a radio enthusiast. It all started…
The following picture is of my first shortwave radio, discovered in my home sometime between 1971 and 1973: a Sony portable transistorized four-band radio receiver. This was my very first shortwave radio (well, truthfully, it was my dad’s). This radio is responsible for my love of radio, electronics, and communications.
I still use this, sometimes, when listening to late-night AM-broadcast-band-radio DX. It is horrible for shortwave radio listening, as it has no noise blanker. For MW (Medium-wave) AM Broadcast DXing at night, it is excellent. The internal bar antenna is very directional so I can rotate the radio around until I get the best reception of some station. Back when I was a child, that made the radio very fun to use.
This next radio is a really capable military surplus radio circa WWII or shortly after (the late 1940s, early 1950s). This radio was my world starting around 1975. From Medium-wave to Shortwave, this radio could hear a pin drop around the world! Many late nights when I was supposed to be sleeping, I was up with the light dimmed and the tubes singing signals from exotic places.
What is your story?73 de NW7US