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Curious about what you can hear on shortwave ham radio? This video is a brief survey of the diverse world of communications on the shortwave spectrum. Expand your radio horizons and enhance your emergency communication preparedness by tuning in to the world of shortwave ham radio.

If you’ve started delving into radio communications beyond local stations and channels, like VHF and UHF, you’re in for a treat. Shortwave radio opens up a whole new realm of signals to explore, including emergency communications vital during natural disasters.

Shortwave radio covers a range of radio frequencies from 3 kHz to 30 MHz. This spectrum is home to a diverse array of radio signals that cater to various communication needs, making it a hub of activity and connectivity.

Within these high frequencies, you can tune in to a multitude of transmissions, from transoceanic air traffic control communications to the chatter of ships navigating the vast seas. Imagine hearing the voices of fishermen, much like those on your favorite reality TV shows about high-seas fishing adventures, along with military communications and the vibrant world of amateur radio enthusiasts.

One of the remarkable features of high-frequency (HF) radio is its ability to propagate signals over long distances, transcending line-of-sight limitations. This means that HF radio enables communication between different regions and even continents, fostering connectivity across vast distances.

During times of crisis and natural disasters, shortwave frequencies become invaluable for emergency communications. When local infrastructure falters or is disrupted, shortwave radio serves as a vital lifeline, facilitating critical two-way communications in and out of disaster-stricken areas.

Explore the fascinating realm of shortwave radio, where distant voices blend with essential information, bridging gaps and connecting communities in times of need. Uncover the power of HF radio to transcend boundaries and provide lifelines when they are needed most.

In this video, I give you a glimpse of the voice and data transmissions I pick up on my high-frequency amateur radio transceiver (in this video, an Icom IC-7000). In later videos, I will dive deeper into specific types of HF communications, such as aeronautical trans-oceanic signals.

Before modern radio broadcasting, the trails were being blazed both in public broadcast, but also critical links out of the local area. Here’s a side-look back in time…. in this 1939 Film: New Zealand Shortwave Communications; Morse code (CW)

The romance of the radiotelegraph service (in this video, the service in New Zealand) is a fascinating aspect of communication history. The use of shortwave, longwave, and medium frequency spectrum for communication, particularly through Morse code, played a significant role in connecting people across vast distances. This service utilized the high-frequency spectrum known as “shortwave” (from 3 MHz up to 30 MHz) as well as the longwave (30 kHz to 300 kHz) and medium frequency spectrum (300 kHz to 3 MHz).

This short film is from 1939, and captures the essence of communication at that time in history, to and from New Zealand using shortwaves and Morse code. It showcases the importance of the radiotelegraph service in enabling long-distance communication during that era. The transition from Morse code via spark-gap communications to continuous wave (CW) modulation marked a significant advancement in the technology and efficiency of radio communication.

It’s incredible to see how technology has evolved over the years, transforming the way we communicate and connect with each other globally. Films like these provide a glimpse into the past and remind us of the ingenuity and dedication of those who worked in the radiotelegraph service to ensure effective communication across the seas.

This film is a 1939 Government film scanned to 2K from a 16mm combined B/W reduction print.

Weather out over oceans?  That, and more.

More than international broadcast stations and amateur radio operators exist on the shortwave radio spectrum.  For instance, any non-broadcast signal that is not amateur radio is often lumped together into a category known as Utility Radio, abbreviated, UTE.  To dig deeper into UTE activity, you could check out the UDXF – the Utility DX Forum, located here:  https://www.udxf.nl/

Utility stations (UTE) are quite common, from marine (ships, fishing vessels, etc.), transoceanic air traffic (international passenger or cargo jets and other aeronautical trans-oceanic radio traffic), to military radio (weather, coordination, and much more).  UTE is a rich subdomain of the radio experience.

As an amateur radio operator, I listen to and monitor utility stations on shortwave, at times when not operating as an amateur radio station.  I check weather for air traffic or for marine traffic, because it helps me see the larger-scale weather patterns.

One of the captured weather images via shortwave radio.

Here is a video I made of my reception of weather charts via shortwave radio from radio station NMC, at Point Reyes, CA, using FLdigi software to receive these weather fax transmissions:

WEFAX 22.527 MHz on 2024 JUNE 14

This video is a screen and sound capture of my reception of weather charts and images by shortwave radio, from a station in California running about 4 kilowatts of RF power. This HF WEFAX (Weather Facsimile) service is on every day for ship (marine) weather dissemination so that ships out on the ocean can get weather charts and images not by satellite, but by receiving shortwave signals.

Below is a snippet from the published schedule from Point Reyes WEFAX Radio, callsign NMC, as follows:

22527 kHz – tune offset 1.9 kHz (see note, below)

UTC   WHICH CHART
----- --------------------------------
19:13 TROPICAL GOES IR SATELLITE IMAGE
19:23 WIND / WAVE ANALYSIS
19:33 96HR SURFACE FORECAST
19:43 96HR WIND/WAVE FORECAST
19:53 96HR 500MB FORECAST
20:03 96HR WAVE PERIOD / DIRECTION
-------------------------------------

The above snippet of the NMC chart transmission list is from the page, “NMC Point Reyes, Marine Radiofax Broadcast Schedule” found at:
https://weatherfax.com/nmc-point-reyes/

One of the captured weather images via shortwave radio.

Here is a detailed description of the weather charts, and online access is at:
https://www.weather.gov/marine/radiofax_charts

Note: In the video, you see that I am tuned to 22.526 USB thus I was tuned to 22526 kHz USB, based on this: “Unless otherwise stated, assigned frequencies are shown, for carrier frequency subtract 1.9 kHz. Typically dedicated radiofax receivers use assigned frequencies, while receivers or transceivers, connected to external recorders or PC’s, are operated in the upper sideband (USB) mode using carrier frequencies.”

==================================
Source:

WORLDWIDE MARINE RADIOFACSIMILE
BROADCAST SCHEDULES
U.S. DEPARTMENT OF COMMERCE
NATIONAL OCEANIC and ATMOSPHERIC ADMINISTRATION
NATIONAL WEATHER SERVICE
April 12, 2024

https://www.weather.gov/media/marine/rfax.pdf

From the RAIN HamCast episode #56, 2021-XII-11 (used with permission):

When you were knee high to a grasshopper, did you undergo a game-changing experience that shaped your future career?

Here is text from the introduction:

Tomas Hood/NW7US did. Tomas has been a shortwave enthusiast since 1973. He was first licensed as a ham in 1990 at age 25.

In the mid 1990s Tomas launched the first civilian space weather propagation website, HFRadio.org, which later spawned SunSpotWatch.com. His website, NW7US has been up and running since June, 1999. Tomas has contributed to the Space Weather Propagation column in CQ magazine for over 20 years, and for The Spectrum Monitor magazine since 2014.

A product of the Pacific northwest, Tomas resides today in Fayetteville, OH. RAIN’s Hap Holly/KC9RP spoke with Tomas recently about Solar Cycle 25 and the game-changing afternoon Tomas experienced in 1973 at age 8 ( Read more about this, at his amateur radio and space weather blog: https://blog.NW7US.us/ ).

Here is the first part of the two-part interview:

Mentioned in the interview is Skylab:

From Wikipedia’s article on Skylab: Skylab was the first United States space station, launched by NASA, occupied for about 24 weeks between May 1973 and February 1974. It was operated by three separate three-astronaut crews: Skylab 2, Skylab 3, and Skylab 4. Major operations included an orbital workshop, a solar observatory, Earth observation, and hundreds of experiments.

Tomas was drawn into space weather as a life-long passion, by inspiration from Skylab, and from the hourly propagation bulletin from the radio station WWV.

WATCH FOR THE NEXT EPISODE, PART TWO

This video is only part one. The RAIN HamCast will conclude Hap’s conversation with Tomas in RAIN HamCast #57, scheduled for posting Christmas Day.

Hap Holly, of the infamous RAIN Report (RAIN = Radio Amateur Information Network), is now producing The RAIN HamCast. The results are both on https://therainreport.com and on the RAIN HamCast YouTube channel, https://www.youtube.com/channel/UCUbNkaUvX_lt5IiDkS9aS4g

KEEP ON HAMMING!

The RAIN Hamcast is produced and edited by Hap Holly/KC9RP; this biweekly podcast is copyright 1985-2021 RAIN, All rights reserved. RAIN programming is formatted for Amateur Radio transmission and is made available under a Creative Commons license; downloading, sharing, posting and transmission of this ham radio program via Amateur Radio in its entirety are encouraged. Your support and feedback are welcome on https://therainreport.com. Thanks for YouTube Technical Assistance from Tom Shimizu/N9JDI.

Wow. What a radio!

One of the most useful (and, to me, amazing) features of this Icom IC-7610, is the IP+ function, which, when turned on, improves the Intermodulation Distortion (IMD) quality by optimizing the direct sampling system performance. This function optimizes the Analog/Digital Converter(ADC) against distortion when you receive a strong input signal. It also improves the Third-order Intercept Point (IP3) while minimizing the reduction of the receiver sensitivity.

In short: I was listening to an s-0 (i.e., no strength-meter movement) weak signal of a DX station, when right adjacent to the frequency came an s-7 signal, wiping out my ability to copy that weak signal. I turned on the IP+ and the distortion of the adjacent signal disappeared, and once again, I heard the weak signal IN THE CLEAR! WOW!

This video is a quick capture of my running the Olivia Digital Mode on HF, on the 30-Meter band. The transmissions are of a two-way Olivia digital-mode radio conversation between station K8CJM and station NW7US on 12 November 2019 (UTC date). K8CJM is located in Dayton, Ohio, and I am located in Lincoln, Nebraska. I’m running the radio at full power. The radio is rated as being able to handle 100% duty cycle at full power. The radio ran cool, no significant heating.

A few months ago, a lightning strike took out my ham radio station. The antenna was NOT connected, but I did not unplug the power supply chain and my computer from the wall. The surge came in through the power mains, and fried my uninterruptable power supply, the interfaces between my PC and radio, and fried the radio. Thankfully, all of that was covered by my homeowner’s insurance policy, less the steep deductible. My insurance covered all of the blown items, and that provided me this chance to obtain a repack version of the Icom IC-7610. I bought an extended four-year warranty.

CAUTION: Check the documentation of your transceiver/transmitter. NEVER run your radio’s power out at a level that exceeds what it can handle in reference to the duty cycle of the mode you are using. Olivia, for instance, is a 100-percent duty cycle mode. Morse code is NOT quite 100% duty cycle. Nor is SSB, a mode that operates with a duty cycle much lower than 100%. Your radio’s manual should tell you the specifications regarding the duty cycle it can handle! If you run more power than your radio can handle with the given duty cycle of the mode in use, you will blow your radio’s finals or in some other way damage the radio! Beware! I’ve warned you!

Compression and ALC!?

Some have noted that it appears that I’ve left on the Compression of the transmitted audio. However, the truth is that compression was not being used (as is proof by carefully taking note of the zero meter movement of the Compression activity). I had the radio set for 20-Meter USB operation on the Sub VFO. Compression was set for standard USB operation. Note also that the radio was transmitting USB-D1, which means the first data/soundcard input to the radio.

Also, some people complain about my use of ALC, because, in their view, ALC (automatic level control) is a no-no for data modes.

The notion that one must NEVER use ALC when transmitting digital modes is not accurate.

Multi-frequency shift keyed (MFSK) modes with low symbol rate–such as the Olivia digital modes–use a single carrier of constant amplitude, which is stepped (between 4, 8, 16 or 32 tone frequencies respectively) in a constant phase manner. As a result, no unwanted sidebands are generated, and no special amplifier (including a transmitter’s final stage) linearity requirements are necessary.

Whether the use of ALC matters or not depends on the transmitted digital mode.

For example, FSK (Frequency-Shift Keying; i.e., RTTY) is a constant-amplitude mode (frequency shift only). In such a case, the use of ALC will NOT distort the signal waveform.

PSK31 does contain amplitude shifts, as an example, therefore you don’t want any ALC action that could result in distortion of the amplitude changes in the waveform.

On the other hand, the WSJT manual says that its output is a constant-amplitude signal, meaning that good linearity is not necessary. In that case, the use of ALC will NOT distort the transmitted signal-amplitude waveform. You can use ALC or not, as you choose when you run WSJT modes, or Olivia (MFSK).

Clarification

Nowhere in this am I advocating running your audio really high, thinking that the ALC will take care of it. I am not saying that. I am saying that some ALC is not going to be an issue. You MUST not overdrive any part of the audio chain going into the transmitter!

Transmit audio out of the sound card remains at a constant amplitude, so there will be no significant change in power output if you adjust your input into the radio so that the ALC just stops moving the meter, or, you can have some ALC meter movement. You can adjust your audio to the transmitter either way.

If the transmitter filters have a significant degree of ripple in the passband then you may find that RF power output changes with the selected frequency in the waterfall when there is no ALC action. Allowing some ALC action can permit the ALC to act as an automatic gain adjustment to keep the output power level as you change frequencies.

Linear and Non-Linear

Regarding linear and non-linear operation (amplifiers, final stages): While a Class-C amplifier circuit has far higher efficiency than a linear circuit, a Class-C amplifier is not linear and is only suitable for the amplification of constant-envelope signals. Such signals include FM, FSK, MFSK, and CW (Morse code).

If Joe Taylor’s various modes (in WSJT software) are constant-envelope signals, than class-C works, right? At least, in theory.

Some Additional Cool History

The digital mode, Thor, came out of DominoEX when FEC was added. Here is an interesting history of FSQ that seems to confirm that FSQ is like MFSK, so no problem with a bit of ALC.

The following is from https://www.qsl.net/zl1bpu/MFSK/FSQweb.htm

History – Let’s review the general history of Amateur MFSK modes. The first Amateur MFSK mode developed anywhere was MFSK16, specified by Murray Greenman ZL1BPU, then first developed and coded by Nino Porcino IZ8BLY in 1999. Before MFSK16 arrived, long-distance (DX) QSOs using digital modes were very unreliable: reliant, as they were, on RTTY and later PSK31. MFSK16 changed all that, using 16 tones and strong error correction. Great for long path DX, but nobody could ever say it was easy to use, never mind slick (quick and agile)!

Over the next few years, many MFSK modes appeared, in fact too many! Most of these were aimed at improving performance on bands with QRM. Most used very strong error correction, some types a poor match for MFSK, and these were very clumsy in QSO, because of long delays.

The next major development, aimed at easy QSOs with a slick turnaround, was DominoEX, designed by Murray Greenman ZL1BPU and coded by Con Wassilieff ZL2AFP, which was released in 2009. Rather than using error correction as a brute-force approach, DominoEX was based on sound research and achieved its performance through carefully crafted modulation techniques that required no error correction. The result was a simpler, easier to tune, easily identified mode with a fast turn-around.

DominoEX is widely used and available in many software packages. A later development by Patrick F6CTE and then Dave W1HKJ added FEC to this mode (THOR) but did not add greatly to performance, and at the same time eroded the fast turn-around. The final DominoEX- related development was EXChat, a version of DominoEX designed specifically for text-message style chatting. While completely compatible with DominoEx, it operates in ‘Sentence Mode’, sending each short over when the operator presses ENTER. EXChat was developed by Con ZL2AFP and released in 2014.

Back in 2013, Con ZL2AFP developed an MFSK mode for LF and MF which used an unusual decoding method pioneered by Alberto I2PHD: a ‘syncless’ decoder, which used a voting system to decide when one tone finished and another began. The first use of this idea was in JASON (2002), which proved to be very sensitive, but very slow, partly because it was based on the ASCII alphabet. The new mode, WSQ2 (Weak Signal QSO, 2 baud) combined the syncless decoder with more tones, 33 in total, and an alphabet specially developed by Murray ZL1BPU, which could send each lower case letter (and common punctuation) in just one symbol, resulting in a very sensitive (-30 dB SNR) mode with a 5 WPM typing speed.

In the subsequent discussion in late 2014, between the developers ZL2AFP and ZL1BPU, it was realized that if the computer had enough processing power to handle it, WSQ2 could be ‘sped up’ to become a useful HF chat mode. This required a large amount of development and retuning of the software to achieve adequate speed was involved, along with much ionospheric simulator and on-air testing used to select the most appropriate parameters.

Tests proved that the idea not only worked well, but it also had marked advantages over existing HF MFSK modes, even DominoEX. As expected, the new mode was found to have superior tolerance of signal timing variation, typically caused by multi-path reception, and would also receive with no change of settings over a wide range of signaling speeds.

So this is how FSQ came about. It uses the highly efficient WSQ character alphabet, IFK+ coding, the same number of tones as WSQ (33), but runs a whole lot faster, up to 60 WPM, and uses different tone spacing. The symbol rate (signaling speed) is modest (six tones per second or less), but each individual tone transmitted carries a surprising amount of information, resulting in a high text transmission speed. And it operates in ‘Chat’ (sentence) mode, which allows the user to type as fast as possible since they type only while receiving.

The ability to send messages and commands selectively has opened a huge array of communications possibilities.

What Makes FSQ Different

Incremental Keying – FSQ uses Offset Incremental Frequency Keying (IFK+), a type of differential Multi-Frequency Shift Keying (MFSK) with properties that make it moderately drift-proof and easy to tune. IFK+ also has excellent tolerance of multi-path reception.

IFK was developed by Steve Olney VK2XV. IFK+ (with code rotation) was proposed by Murray Greenman ZL1BPU and first used in DominoEX. IFK+ prevents repeated same tones without complex coding and provides improved rejection of propagation-related inter-symbol interference. In the context of sync-less decoding, the IFK+ code rotation also prevents repeated identical tones, which could not have been detected by this method.

Efficient Alphabet – In FSQ, a relatively high typing speed at a modest baud rate comes about because the alphabet coding is very efficient. All lower case letters and the most common punctuation can be sent in just one symbol and all other characters (the total alphabet contains 104 characters) in just two symbols. (The alphabet is listed below). This is a simple example of a Varicode, where it takes less time to send the more common characters. The character rate is close to six per second (60 WPM), the same as RTTY, but at only 1/8th of the baud rate. (RTTY has only one bit of information per symbol, 7.5 symbols per character, and wastes a third of its information on synchronization, and despite this, works poorly on HF).

No Sync – Another important factor in the design of FSQ is that no synchronizing process is required to locate and decode the received characters. Lack of sync means that reception is much less influenced by propagation timing changes that affect almost all other modes since timing is quite unimportant to FSQ; it almost completely eliminates impulse noise disruption, and it also contributes to very fast acquisition of the signal (decoding reliably within one symbol of the start of reception). Fast acquisition removes the need for the addition of extra idle characters at the start of transmission, and this leads to a very slick system. Add high resistance to QRM and QRN, thanks to the low baud rate, and you have a system so robust that it does not need error correction.

Cool.

See you on the bands!

In the 1990s while living in eastern Montana, I had the amazing experience of reuniting two soldiers that served in the Devil’s Brigade. They both trained near Helena, Montana.

One day, I was operating on the amateur radio shortwave Ten-Meter band, and a gentleman answered my, “CQ, CQ, CQ, this is N7PMS in Montana, Over”. I took notes of our conversation.

The next day, when again I called for any station to answer my call for a conversation, another fellow, from Canada, answered me. I learned something amazing: Both of these two men mentioned that, during World War Two, they both were in the same special forces unit, training near Helena, Montana.

One of these Veterans served in the Canadian Armed Forces, and the other in the American Armed Forces. Listen to my story, for the full details of this amazing experience I had as an amateur radio operator.

Jump to 3:22 if you wish to skip my introduction to the story, during which I give some background on when and so on:
https://youtu.be/YFMplHjxy6s?t=3m22s

This certainly was one of the most memorable moments in my amateur radio hobby experience! The joy of reuniting friends is good.

From https://en.wikipedia.org/wiki/First_Special_Service_Force:

The 1st Special Service Force (also called The Devil’s Brigade, The Black Devils, The Black Devils’ Brigade, and Freddie’s Freighters), was an elite American-Canadian commando unit in World War II, under command of the United States Fifth Army. The unit was organized in 1942 and trained at Fort William Henry Harrison near Helena, Montana in the United States. The Force served in the Aleutian Islands, and fought in Italy, and southern France before being disbanded in December 1944.

The modern American and Canadian special operations forces trace their heritage to this unit. In 2013, the United States Congress passed a bill to award the 1st Special Service Force the Congressional Gold Medal.

Thank you for watching, and sharing. Comments are welcome: do you have a memorable moment in your radio hobby experience on the air?

73 de NW7US

My first QSO (and, yeah, it was with Morse code) was petrifying and…

What’s your story of your first QSO?

73 de NW7US