Archive for the ‘hamradio’ Category
Chat From a Quarantined Software Engineer – Welfare Check!
April 20th, 2020 | 
Author: This is a welfare check on you. Please leave a comment on how you are faring, what is happening in your situation with the lock-down.
Are you quarantined? Working from home? Did you lose your job? How are you doing during this crazy time?
What is going on with you during this challenging situation?
I talk about what I’m doing, too. I’m quarantined at home. I can work from home, as I am a senior software engineer. I can do my job by remote access to a virtual workstation, through a secure VPN connection. I’m blessed that I still can work during this lock-down.
But, I have a medical emergency – a dental problem – and trying to be seen by a dentist is difficult, because all of the local dentists were told to shut down their daily business and quarantine. Only emergency appointments are being made! I was finally, after two days of phone calls, able to schedule an emergency visit to my dentist!
I want to know: How do you use amateur radio, now that we are all stuck at home? Are you using ham radio more, now? Less?
Please leave a comment to let me know how you are doing, and answer the other questions, too. I hope to hear from you.
I hope to meet you on the shortwave amateur radio bands. I am usually using Olivia, or Morse code CW. More information about Olivia: http://OliviaDigitalMode.net.
Be healthy, be safe, stay sane!
Contest Morse Code, Computers, and an Icom Rig
This past weekend (third full weekend in February, February 15-16, 2020) is the ARRL International CW Contest (ARRL DX CW link: http://www.arrl.org/arrl-dx ). This is interesting to my study of radio signal propagation as a columnist and as an amateur radio operator because of the contest objective: “To encourage W/VE stations to expand knowledge of DX propagation on the HF and MF bands…” This contest is a good way to get a feel for current propagation–though there are caveats.
Speaking of Morse code and the CW mode on our amateur bands: those of you using CW during contests, do you send by hand or by computer? Do you copy the code by head, or do you use a computer for decoding?
Just curious about those of you who use CW. Do you send by hand or computer? Receive by head or computer?
In most contests like the ARRL DX CW contest, I copy by ear, and send mostly by rig keyer. If needed, I use a single paddle key with the Icom rig’s internal keyer to answer unique questions and so on.
Below is a quick demo of using the internal Morse code keyer in my Icom IC-7610 transceiver.
V47T, in the Saint Kitts and Nevis Island in the Caribbean, is calling CQ TEST in the ARRL DX CW contest.
Using the programmable virtual buttons, in which I programmed my callsign, NW7US, and other info, I answer and make a complete contest QSO.
In activity like the Straight Key Century Club (SKCC – https://SKCCGroup.com) K3Y special event, it is all manual. I send my Morse code using a WWII Navy Flameproof Signal Key, and decode with my ears. It is contextual for me.
How do you do contesting Morse code? Bonus question: How do you do logging while doing contest operation?
73 es best dx = de NW7US dit dit
“BEST REGARDSES” AND “BEST REGARDS’S”
Meme: Car and Woman Arguing, 73
“Best regardses” and “Best regards’s”
That’s silly, of course. We who speak and write in the English language know that you should not pluralize a word that is already in its plural form. “Best regards” means, “I wish you the best of regards.” It is implied that there is more than one regard. Perhaps there are a few, perhaps many more. It then is clear that we wouldn’t normally pluralize “regards,” into, “regardses.”
It is also silly to say that the best of regards owns something. How can a regard let alone a group of regards own anything? So, why “73’s” when written?
Old SWLer QSL Card With 73’s
The usage of “73” comes from early landline telegraph (typically railroad telegraphy landlines). Originally devised in the era of telegraphs, 73 and other numbers were used to speed up the transmission of common messages over landlines by mapping common messages to these specific numbers. And, numbers were quicker to send than the longer messages the numbers replaced.
QST, April 1935, on page 60, contains a short article on the origin of the amateur radio vernacular, 73. This article was a summation of another article that appeared in the “December Bulletin from the Navy Department Office of the Chief of Naval Operations,” published December of 1934.
A skilled landline Morse code operator, in action.
Here’s a quotation from that Navy article:
“It appears from a research of telegraph histories that in 1859 the [land-line] telegraph people held a convention, and one of its features was a discussion as to the saving of ‘line time.’
A committee was appointed to devise a code to reduce standard expressions to symbols or figures. This committee worked out a figure code, from figure 1 to 92.
Most of these figure symbols became obsolescent, but a few remain to this date, such as 4, which means “Where shall I go ahead?’. Figure 9 means ‘wire,’ the wire chief being on the wire and that everyone should close their keys. Symbol 13 means ‘I don’t understand’; 22 is ‘love and a kiss’; 30 means ‘good night’ or ‘the end.’
The symbol most often used now is 73, which means ‘my compliments’ and 92 is for the word ‘deliver.’ The other figures in between the forgoing have fallen into almost complete disuse.”
We can see, then, that “73” mapped to “best regards” or “my compliments” and was intended as a general valediction for transmitted messages. That’s why it is silly to say, “73s,” as that maps to, “best regardses” – 73s adds the plural to a plural. (And, don’t make it possessive, as in using, “73’s” – a regard cannot own something).
Cartoon: Jeeves, there is no plural for 73…
For reference and some more interesting background on this, see http://www.signalharbor.com/73.html
An example of on-the-air conversation (or, QSO—“QSO” is the shorthand Q-code for, “two-way exchange of communications”) illustrates proper usage of 73. When saying your goodbye, you would tap out the Morse code as follows:
TNX FER FB QSO. C U AGN. 73 ES HPY NEW YR.
That is interpreted as, “Thanks for the fine-business chat. I hope to see you again for another chat. Best regards and happy new year.”
This, if you choose to throw around shorthand Morse code number codes when you are speaking, you wouldn’t say, “73s.” You would say, “73.”
The Old Man Hiram Percy Maxim 1AW used 73’s on his QSL cards.
My friend, David Edenfield, opined, “This idea is beyond turning into glue from the dead horse it’s beating again. This is so petty to be concerned with this. Even the Old Man Hiram Percy Maxim 1AW used 73s on his QSL cards.”
Well, even Hiram Percy Maxim has been incorrect and incorrectly used grammar. (chuckle)
There is something to be said about teaching new amateur radio operators the best of our traditions, history, skills, procedures, protocols, ethics, and culture. There’s no rational argument that can make a case that allowing these aspects of our service and hobby to degrade over time (by the lack of Elmering) is a good way to see our service and hobby thrive and progress.
I don’t see any slippage from high standards as being a good strategy for nurturing growth, progress, and effectiveness of our service and hobby. Keeping some level of excellence in every aspect of our hobby can only be beneficial.
In this case, how many new hams that learn to repeat ham lingo know anything of the history behind the common “73?” My dead horse turned glue is educational and it is my belief that educating about origins elevates the current.
73 – NW7US
NW7US QSL Card (circa 2019)
..
How Did You Fare in CQ WW CW Contest Weekend?
Man, lots and lots of Morse code on the ham bands, this weekend. The CQ Worldwide CW Contest weekend was hopping with signals!
How did you do this weekend? How were conditions on the various contest bands?
Comment here and your report may make it into the propagation column in an upcoming edition of the Radio Propagation column in CQ Amateur Radio Magazine.
Here are a few moments as heard at the station of the CQ Amateur Radio Magazine propagation columnist, in Lincoln, Nebraska (yeah, that’s me, NW7US).
Here are the results of my dabbling with the Icom rig and this contest:
NW7US's Contest Summary Report for CQ-WW
Created by N3FJP's CQ WW DX Contest Log
Version 5.7 www.n3fjp.com
Total Contacts = 55
Total Points = 8,979
Operating Period: 2019/11/24 10:23 - 2019/11/24 22:51
Total op time (breaks > 30 min deducted): 3:58:46
Total op time (breaks > 60 min deducted): 4:45:17
Avg Qs/Hr (breaks > 30 min deducted): 13.8
Total Contacts by Band and Mode:
Band CW Phone Dig Total %
---- -- ----- --- ----- ---
80 8 0 0 8 15
40 7 0 0 7 13
20 25 0 0 25 45
15 15 0 0 15 27
-- ----- --- ----- ---
Total 55 0 0 55 100
Total Contacts by State \ Prov:
State Total %
----- ----- ---
52 95
HI 3 5
Total = 1
Total Contacts by Country:
Country Total %
------- ----- ---
Canada 6 11
Brazil 5 9
USA 5 9
Argentina 3 5
Costa Rica 3 5
Hawaii 3 5
Bonaire 2 4
Cayman Is. 2 4
Chile 2 4
Cuba 2 4
Japan 2 4
Mexico 2 4
Aruba 1 2
Bahamas 1 2
Barbados 1 2
Belize 1 2
Curacao 1 2
Dominican Republic 1 2
French Guiana 1 2
Haiti 1 2
Honduras 1 2
Martinique 1 2
Montserrat 1 2
Nicaragua 1 2
Senegal 1 2
St. Kitts & Nevis 1 2
St. Lucia 1 2
Suriname 1 2
US Virgin Is. 1 2
Venezuela 1 2
Total = 30
Total DX Miles (QSOs in USA not counted) = 151,407
Average miles per DX QSO = 3,028
Average bearing to the entities worked in each continent.
QSOs in USA not counted.
AF = 83
AS = 318
NA = 124
OC = 268
SA = 137
Total Contacts by Continent:
Continent Total %
--------- ----- ---
NA 32 58
SA 17 31
OC 3 5
AS 2 4
AF 1 2
Total = 5
Total Contacts by CQ Zone:
CQ Zone Total %
------- ----- ---
08 13 24
03 7 13
09 7 13
07 6 11
11 5 9
13 3 5
31 3 5
04 2 4
05 2 4
06 2 4
12 2 4
25 2 4
35 1 2
Total = 13
From Lightning Comes a New Icom IC-7610 (First Transmission)
Wow. What a radio!
One of the most useful (and, to me, amazing) features of this Icom IC-7610, is the IP+ function, which, when turned on, improves the Intermodulation Distortion (IMD) quality by optimizing the direct sampling system performance. This function optimizes the Analog/Digital Converter(ADC) against distortion when you receive a strong input signal. It also improves the Third-order Intercept Point (IP3) while minimizing the reduction of the receiver sensitivity.
In short: I was listening to an s-0 (i.e., no strength-meter movement) weak signal of a DX station, when right adjacent to the frequency came an s-7 signal, wiping out my ability to copy that weak signal. I turned on the IP+ and the distortion of the adjacent signal disappeared, and once again, I heard the weak signal IN THE CLEAR! WOW!
This video is a quick capture of my running the Olivia Digital Mode on HF, on the 30-Meter band. The transmissions are of a two-way Olivia digital-mode radio conversation between station K8CJM and station NW7US on 12 November 2019 (UTC date). K8CJM is located in Dayton, Ohio, and I am located in Lincoln, Nebraska. I’m running the radio at full power. The radio is rated as being able to handle 100% duty cycle at full power. The radio ran cool, no significant heating.
A few months ago, a lightning strike took out my ham radio station. The antenna was NOT connected, but I did not unplug the power supply chain and my computer from the wall. The surge came in through the power mains, and fried my uninterruptable power supply, the interfaces between my PC and radio, and fried the radio. Thankfully, all of that was covered by my homeowner’s insurance policy, less the steep deductible. My insurance covered all of the blown items, and that provided me this chance to obtain a repack version of the Icom IC-7610. I bought an extended four-year warranty.
CAUTION: Check the documentation of your transceiver/transmitter. NEVER run your radio’s power out at a level that exceeds what it can handle in reference to the duty cycle of the mode you are using. Olivia, for instance, is a 100-percent duty cycle mode. Morse code is NOT quite 100% duty cycle. Nor is SSB, a mode that operates with a duty cycle much lower than 100%. Your radio’s manual should tell you the specifications regarding the duty cycle it can handle! If you run more power than your radio can handle with the given duty cycle of the mode in use, you will blow your radio’s finals or in some other way damage the radio! Beware! I’ve warned you!
Compression and ALC!?
Some have noted that it appears that I’ve left on the Compression of the transmitted audio. However, the truth is that compression was not being used (as is proof by carefully taking note of the zero meter movement of the Compression activity). I had the radio set for 20-Meter USB operation on the Sub VFO. Compression was set for standard USB operation. Note also that the radio was transmitting USB-D1, which means the first data/soundcard input to the radio.
Also, some people complain about my use of ALC, because, in their view, ALC (automatic level control) is a no-no for data modes.
The notion that one must NEVER use ALC when transmitting digital modes is not accurate.
Multi-frequency shift keyed (MFSK) modes with low symbol rate–such as the Olivia digital modes–use a single carrier of constant amplitude, which is stepped (between 4, 8, 16 or 32 tone frequencies respectively) in a constant phase manner. As a result, no unwanted sidebands are generated, and no special amplifier (including a transmitter’s final stage) linearity requirements are necessary.
Whether the use of ALC matters or not depends on the transmitted digital mode.
For example, FSK (Frequency-Shift Keying; i.e., RTTY) is a constant-amplitude mode (frequency shift only). In such a case, the use of ALC will NOT distort the signal waveform.
PSK31 does contain amplitude shifts, as an example, therefore you don’t want any ALC action that could result in distortion of the amplitude changes in the waveform.
On the other hand, the WSJT manual says that its output is a constant-amplitude signal, meaning that good linearity is not necessary. In that case, the use of ALC will NOT distort the transmitted signal-amplitude waveform. You can use ALC or not, as you choose when you run WSJT modes, or Olivia (MFSK).
Clarification
Nowhere in this am I advocating running your audio really high, thinking that the ALC will take care of it. I am not saying that. I am saying that some ALC is not going to be an issue. You MUST not overdrive any part of the audio chain going into the transmitter!
Transmit audio out of the sound card remains at a constant amplitude, so there will be no significant change in power output if you adjust your input into the radio so that the ALC just stops moving the meter, or, you can have some ALC meter movement. You can adjust your audio to the transmitter either way.
If the transmitter filters have a significant degree of ripple in the passband then you may find that RF power output changes with the selected frequency in the waterfall when there is no ALC action. Allowing some ALC action can permit the ALC to act as an automatic gain adjustment to keep the output power level as you change frequencies.
Linear and Non-Linear
Regarding linear and non-linear operation (amplifiers, final stages): While a Class-C amplifier circuit has far higher efficiency than a linear circuit, a Class-C amplifier is not linear and is only suitable for the amplification of constant-envelope signals. Such signals include FM, FSK, MFSK, and CW (Morse code).
If Joe Taylor’s various modes (in WSJT software) are constant-envelope signals, than class-C works, right? At least, in theory.
Some Additional Cool History
The digital mode, Thor, came out of DominoEX when FEC was added. Here is an interesting history of FSQ that seems to confirm that FSQ is like MFSK, so no problem with a bit of ALC.
The following is from https://www.qsl.net/zl1bpu/MFSK/FSQweb.htm
History – Let’s review the general history of Amateur MFSK modes. The first Amateur MFSK mode developed anywhere was MFSK16, specified by Murray Greenman ZL1BPU, then first developed and coded by Nino Porcino IZ8BLY in 1999. Before MFSK16 arrived, long-distance (DX) QSOs using digital modes were very unreliable: reliant, as they were, on RTTY and later PSK31. MFSK16 changed all that, using 16 tones and strong error correction. Great for long path DX, but nobody could ever say it was easy to use, never mind slick (quick and agile)!
Over the next few years, many MFSK modes appeared, in fact too many! Most of these were aimed at improving performance on bands with QRM. Most used very strong error correction, some types a poor match for MFSK, and these were very clumsy in QSO, because of long delays.
The next major development, aimed at easy QSOs with a slick turnaround, was DominoEX, designed by Murray Greenman ZL1BPU and coded by Con Wassilieff ZL2AFP, which was released in 2009. Rather than using error correction as a brute-force approach, DominoEX was based on sound research and achieved its performance through carefully crafted modulation techniques that required no error correction. The result was a simpler, easier to tune, easily identified mode with a fast turn-around.
DominoEX is widely used and available in many software packages. A later development by Patrick F6CTE and then Dave W1HKJ added FEC to this mode (THOR) but did not add greatly to performance, and at the same time eroded the fast turn-around. The final DominoEX- related development was EXChat, a version of DominoEX designed specifically for text-message style chatting. While completely compatible with DominoEx, it operates in ‘Sentence Mode’, sending each short over when the operator presses ENTER. EXChat was developed by Con ZL2AFP and released in 2014.
Back in 2013, Con ZL2AFP developed an MFSK mode for LF and MF which used an unusual decoding method pioneered by Alberto I2PHD: a ‘syncless’ decoder, which used a voting system to decide when one tone finished and another began. The first use of this idea was in JASON (2002), which proved to be very sensitive, but very slow, partly because it was based on the ASCII alphabet. The new mode, WSQ2 (Weak Signal QSO, 2 baud) combined the syncless decoder with more tones, 33 in total, and an alphabet specially developed by Murray ZL1BPU, which could send each lower case letter (and common punctuation) in just one symbol, resulting in a very sensitive (-30 dB SNR) mode with a 5 WPM typing speed.
In the subsequent discussion in late 2014, between the developers ZL2AFP and ZL1BPU, it was realized that if the computer had enough processing power to handle it, WSQ2 could be ‘sped up’ to become a useful HF chat mode. This required a large amount of development and retuning of the software to achieve adequate speed was involved, along with much ionospheric simulator and on-air testing used to select the most appropriate parameters.
Tests proved that the idea not only worked well, but it also had marked advantages over existing HF MFSK modes, even DominoEX. As expected, the new mode was found to have superior tolerance of signal timing variation, typically caused by multi-path reception, and would also receive with no change of settings over a wide range of signaling speeds.
So this is how FSQ came about. It uses the highly efficient WSQ character alphabet, IFK+ coding, the same number of tones as WSQ (33), but runs a whole lot faster, up to 60 WPM, and uses different tone spacing. The symbol rate (signaling speed) is modest (six tones per second or less), but each individual tone transmitted carries a surprising amount of information, resulting in a high text transmission speed. And it operates in ‘Chat’ (sentence) mode, which allows the user to type as fast as possible since they type only while receiving.
The ability to send messages and commands selectively has opened a huge array of communications possibilities.
What Makes FSQ Different
Incremental Keying – FSQ uses Offset Incremental Frequency Keying (IFK+), a type of differential Multi-Frequency Shift Keying (MFSK) with properties that make it moderately drift-proof and easy to tune. IFK+ also has excellent tolerance of multi-path reception.
IFK was developed by Steve Olney VK2XV. IFK+ (with code rotation) was proposed by Murray Greenman ZL1BPU and first used in DominoEX. IFK+ prevents repeated same tones without complex coding and provides improved rejection of propagation-related inter-symbol interference. In the context of sync-less decoding, the IFK+ code rotation also prevents repeated identical tones, which could not have been detected by this method.
Efficient Alphabet – In FSQ, a relatively high typing speed at a modest baud rate comes about because the alphabet coding is very efficient. All lower case letters and the most common punctuation can be sent in just one symbol and all other characters (the total alphabet contains 104 characters) in just two symbols. (The alphabet is listed below). This is a simple example of a Varicode, where it takes less time to send the more common characters. The character rate is close to six per second (60 WPM), the same as RTTY, but at only 1/8th of the baud rate. (RTTY has only one bit of information per symbol, 7.5 symbols per character, and wastes a third of its information on synchronization, and despite this, works poorly on HF).
No Sync – Another important factor in the design of FSQ is that no synchronizing process is required to locate and decode the received characters. Lack of sync means that reception is much less influenced by propagation timing changes that affect almost all other modes since timing is quite unimportant to FSQ; it almost completely eliminates impulse noise disruption, and it also contributes to very fast acquisition of the signal (decoding reliably within one symbol of the start of reception). Fast acquisition removes the need for the addition of extra idle characters at the start of transmission, and this leads to a very slick system. Add high resistance to QRM and QRN, thanks to the low baud rate, and you have a system so robust that it does not need error correction.
Cool.
See you on the bands!
Ham Radio Operating Ethics and Operating Procedures
In 2008, John Devoldere, ON4UN, and, Mark Demeuleneere, ON4WW, wrote a comprehensive document entitled “Ethics and Operating Procedures for the Radio Amateur.” The purpose of this document was for it to become a universal guide on operating ethics and procedures.
This document was accepted by the IARU (International Amateur Radio Union) Administrative Council as representing their view on the subject. During subsequent Regional IARU meetings it was emphasized that the document be made available to the Amateur Radio Community via all available means, at no cost, and in as many languages as possible.
The document has since been translated into more than 25 languages. In some countries, the document is also offered in printed format and many Amateur Radio websites have a link to the document. Our most sincere thanks go to all our friends who spent hundreds of hours to take care of these translations.
To achieve easier access to all of the existing versions and languages of the document, the authors have set up the Ham Radio Ethics and Operating Procedures web site at:
https://www.hamradio-operating-ethics.org/versions/
It contains a listing of all versions/languages, sorted by country, where you can download the translations in any of the following forms:
*PDF or Word documents from various countries
*Directly from the different Radio Societies’ web sites
*A downloadable PowerPoint Slideshow Presentation (available in one of three languages–English, French and Dutch)
John, ON4UN, and Mark, ON4WW
Olivia Digital Mode (1000 Hz) on Twenty Meters – A Simple Video
The Olivia digital mode on HF radio is a mode capable of two-way chat (QSO) communication (keyboard to keyboard, like RTTY) over long-distance shortwave (HF) ionospheric propagation paths, especially over polar regions.
If you are interested in more than a logbook QSO (such as is typical with FT8 and other propagation-checking modes) but want to chat with other hams around the world using digital modes, consider Olivia as one option.
This video captures a few moments of two-way conversation on the Twenty-Meter band, up in the sub-band where 1000-Hz digital modes are commonplace. More narrow-bandwidth settings are used in a lower subband in the digital slice of Twenty Meters. More details about the mode are in the files section of this website: http://OliviaDigitalMode.org.
In 2005, SP9VRC, Pawel Jalocha, released to the world a mode that he developed starting in 2003 to overcome difficult radio signal propagation conditions on the shortwave (high-frequency, or HF) bands. By difficult, we are talking significant phase distortions and low signal-to-noise ratios (SNR) plus multipath propagation effects. The Olivia-modulated radio signals are decoded even when it is ten to fourteen dB below the noise floor. That means that Olivia is decoded when the amplitude of the noise is slightly over three times that of the digital signal!
Olivia decodes well under other conditions that are a complex mix of atmospheric noise, signal fading (QSB), interference (QRM), polar flutter caused by a radio signal traversing a polar path. Olivia is even capable when the signal is affected by auroral conditions (including the Sporadic-E Auroral Mode, where signals are refracted off of the highly-energized E-region in which the Aurora is active).
Currently, the only other digital modes that match or exceed Olivia in their sensitivity are some of the modes designed by Joe Taylor as implemented in the WSJT programs, including FT8, JT65A, and JT65-HF–each of which are certainly limited in usage and definitely not able to provide true conversation capabilities. Olivia is useful for emergency communications, unlike JT65A or the popular FT8. One other mode is better than Olivia for keyboard-to-keyboard comms under difficult conditions: MT63. Yet, Olivia is a good compromise that delivers a lot. One reason for this is that there are configurations that use much less bandwidth than 1000 Hz. 16 tones in 250 Hz is our common calling-frequency configuration, which we use lower down in the Twenty-Meter band, with a center frequency of 14.0729 MHz.
Q: What’s a ‘CENTER’ Frequency? Is That Where I Set My Radio’s Dial?
For those new to waterfalls: the CENTER frequency is the CENTER of the cursor shown by common software. The cursor is what you use to set the transceiver’s frequency on the waterfall. If your software’s waterfall shows the frequency, then you simply place the cursor so that its center is right on the center frequency listed, above. If your software is set to show OFFSET, then you might, for example, set your radio’s dial frequency to 14.0714, and place the center of your waterfall cursor to 1500 (1500 Hz). That would translate to the 14.0729 CENTER frequency.
The standard Olivia formats (shown as the number of tones/bandwidth in Hz) are 8/250, 8/500, 16/500, 8/1000, 16/1000, and 32/1000. Some even use 16/2000 for series emergency communication. The most commonly-used formats are 16/500, 8/500, and 8/250. However, the 32/1000 and 16/1000 configurations are popular in some areas of the world (Europe) and on certain bands.
These different choices in bandwidth and tone settings can cause some confusion and problems–so many formats and so many other digital modes can make it difficult to figure out which mode you are seeing and hearing. After getting used to the sound and look of Olivia in the waterfall, though, it becomes easier to identify the format when you encounter it. To aid in your detection of what mode is being used, there is a feature of many digital-mode software implementation suites: the RSID. The next video, below, is a demonstration on how to set the Reed-Solomon Identification (RSID) feature in Ham Radio Deluxe’s Digital Master 780 module (HRD DM780).
I encourage ALL operators, using any digital mode such as Olivia, to TURN ON the RSID feature as shown in this example. In Fldigi, the RSID is the TXID and RXID; make sure to check (turn on) each, the TXID and RXID.
Please, make sure you are using the RSID (Reed Solomon Identification – RSID or TXID, RXID) option in your software. RSID transmits a short burst at the start of your transmission which identifies the mode you are using. When it does that, those amateur radio operators also using RSID while listening will be alerted by their software that you are transmitting in the specific mode (Olivia, hopefully), the settings (like 8/250), and where on the waterfall your transmission is located. This might be a popup window and/or text on the receive text panel. When the operator clicks on that, the software moves the waterfall cursor right on top of the signal and changes the mode in the software. This will help you make more contacts!
RSID Setting:
+ NOTE: The MixW software doesn’t have RSID features. Request it!
Voluntary Olivia Channelization
Since Olivia signals can be decoded even when received signals are extremely weak, (signal to noise ratio of -14db), signals strong enough to be decoded are sometimes below the noise floor and therefore impossible to search for manually. As a result, amateur radio operators have voluntarily decided upon channelization for this mode. This channelization allows even imperceptibly weak signals to be properly tuned for reception and decoding. By common convention amateur stations initiate contacts utilizing 8/250, 16/500, or 32/1000 configuration of the Olivia mode. After negotiating the initial exchange, sometimes one of the operators will suggest switching to other configurations to continue the conversation at more reliable settings, or faster when conditions allow. The following table lists the common center frequencies used in the amateur radio bands.
Olivia (CENTER) Frequencies (kHz) for Calling, Initiating QSOs
Current Olivia Digital Mode Calling Frequencies on Shortwave (HF)
It is often best to get on standard calling frequencies with this mode because you can miss a lot of weak signals if you don’t. However, with Olivia activity on the rise AND all the other modes vying for space, a good deal of the time you can operate wherever you can find a clear spot–as close as you can to a standard calling frequency.
Note: some websites publish frequencies in this band, that are right on top of weak-signal JT65, JT9, and FT8 segments. DO NOT QRM weak-signal QSOs!
We (active Olivia community members) suggest 8/250 as the starting settings when calling CQ on the USB frequencies designated as ‘Calling Frequencies.’ A Calling Frequency is a center frequency on which you initially call, ‘CQ CQ CQ. . .’ and then, with the agreement of the answering operator, move to a new nearby frequency, changing the number of tones and bandwidth at your discretion. Even though 8/250 is slow, the CQ call is short. But, it is narrow, to allow room for other QSOs nearby. It is also one of the best possible Olivia configurations for weak-signal decoding.
